Actor Review:

Greg Russell Tiderington : The Future Of Canadian Horror By Brian Kirst
I, honestly, don’t know Greg Russell Tiderington that well. We have had a few phone calls to discuss the Racks and Razors website and a few quick emails, back and forth, about the same. What struck me, first, about Greg, though, was his obvious love for the B-Movie and indie horror film culture and the participants within it. Whether discussing Brinke Stevens, a personal favorite, or pondering the question of whether Hollywood Chainsaw Hookers ever had a theatrical release, Greg has shown a joy and overwhelming eagerness about the movers and shakers in this most bloody (fake, I’m referring to) profession. Next I observed his impressive ambition. In a climate where it must be incredibly hard to succeed, with, most probably, few like-minded individuals, Greg has written, produced and appeared in (or some combination thereof) several shorts (including Room for Rent and Dusk) and one full-length horror anthology, The Horror Seasons. Besides, working on a variety of websites (such as this one) and pursuing his passion for singing, Tiderington has recently started a film production company to provide work, most naturally, for himself, but also for others in the area of Canada in which he resides. If the beautiful job Greg has done on Racks and Razors is any indication, I sure that he will have many more full length films under his belt before we can shake out our beautifully fake titties – imagined or no – and let out a ceiling cracking, blood curdling scream!

More information on Greg can be gleaned with his interview with Owen Keehnen in the interview section of this site or at his acting website, www.gregtiderington.tk . In a last piece of interesting news, Greg has just informed me that The Horror Seasons, profiled below, is now available on DVD at Amazon. An interesting future begins to unfold!

The Horror Seasons: A Brief Impression on Tiderington’s film.

Despite its limited budget, the creativity that went into the The Horror Seasons is obvious. The anthology unfolds at a concert of Vivaldi’s The Four Seasons, re-imagined as The Horror Seasons, and it is a very clever and effective concept. There are some truly good performances –especially from the women in the second Season segment- but the thing that impressed me the most was Tiderington’s story concept for the third Season story. Shot as a silent film, this segment was the most clever and original and truly showed off Tiderington’s mental and writing skills. This introductory Tiderington extravaganza is definitely worth a look as evidence of what one can do when one puts their creative mind to it.

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