It
takes more than a horrendous
hurricane to stop Lucien
Eisenach...luckily the
actor/director escaped harm and
damage during Katrinas
devastation of the Gulf area
earlier this year. Fans of the
genre may know his work from
directing the delectably demented
Fetalboy Goes to
Hell! (with racksandrazors
folks Lilith Stabs & Eric
Spudic). He was Burke in
Malefic (which began
his professional association with
Steve Sessions), a tree gatherer
who ends up getting chopped
himself in Psycho
Santa, reappeared in
Psycho Santa 2, was a
spree killer in Dead
Clowns, Hamilton in
Cadaver
Bay
other roles
include Wolfika,
Obsession,
Seek, and
Southern Gothic. His
next big behind the camera opus
is The Sea Creatures from
Outer Space.
Owen:
Glad to hear you made it through
Hurricane Katrina...how did you
weather the storm?
Lucien: I was
extremely lucky! I live about 2
blocks away from the Gulf of
Mexico and my apartment
miraculously avoided any damage,
while everything around me was
destroyed. There are blocks of
concrete left where full
buildings stood and mansions
ripped apart along the beaches.
It is amazing to see and amazing
that I did not lose all that I
had. I dealt with the
inconveniences as everyone else
did though; I was without power
and water for 2 weeks and without
cable and Internet for 4 weeks.
It wasn't unbearable though.
Things are getting back to normal
now.
Owen: Your first
film role was Burke in 'Malefic'.
How did that come about?
Lucien: I had
read about a movie called "Cremains"
being made locally and was
attempting to find more
information about the production
and those involved with little
luck. Coincidentally, I answered
an online casting call a while
later and met Steve Sessions and
immediately got the role of Burke
in "Malefic".
Owen: You wrote
and directed the deliciously
demented 'Fetalboy Goes
to Hell'. Can you
give a quick plot synopsis?
Lucien: "Fetalboy
Goes to Hell!"
begins as a woman is impregnated
by Satan; she attempts to abort
the evil fetus, but he survives
the coat hanger attack, unleashes
his umbilical carnage on the
city, joins a traveling sideshow,
and searches for the father he
never knew.
Owen: What were
the biggest lessons you learned
by jumping into it and directing
your first feature film?
Lucien: Planning
is essential, flexibility is a
necessity, and sound quality
should always be a focus.
Owen: As the
spree killer in 'Dead
Clowns' you kept some
mighty good company with Racks
and Razors favorites Debbie
Rochon, Brinke Stevens, and Eric
Spudic. How did your role
in that film come about?
Lucien: By the
time production on "Dead
Clowns" began, I
had taken part in three projects
by Steve Sessions, so I had
become a regular cast member, I
suppose. This time around, I
believe that the character I
portrayed was written with my own
style, acting and appearance, in
mind. For the reason, in part, I
really enjoyed the role.
Owen: After
playing 4 parts in 'Psycho
Santa' you are back for
more 'Psycho Santa 2'.
Did you feel you had gained a lot
of outsider cinema experience in
the interim?
Lucien: I do. I
had the experience of working on
"Cadaver Bay"
and "Dead Clowns"
and was able to see the
completion of "Fetalboy
Goes to Hell!" --
by this time. I was able to see
the areas of filming that I had
the opportunity to improve in and
had a stronger vision of the
final product keeping editing in
pacing in mind.
Owen:
Tell about your work in Steve
Sessions' 'Wolfika'.
Lucien: My
character of James Trench in
"Wolfika"
is the one I had the most fun
with. He is a dark, mysterious
character that allowed me to take
on a slightly different look
physically, gave me the
opportunity to get a little
bloody, and was a role that I
felt I could get into, delving
into the loneliness and
desperation of a man cursed by
the full moon. I also assisted
with some casting, puppeteering,
and general production
assistance.
Owen: Your
newest project, 'Sea
Creatures from Outer Space'
has been described as a sort of
purposefully bad send up/homage
to 50s sci-fi films. What
is the most important thing to
convey when trying to parody that
kind of film?
Lucien: It is
most important to stay true to
the era in all aspects. The tone
and feel should draw the viewer
into a false sense of time, as if
he or she is actually watching an
old movie. Then again, I felt
that many of those old movies
became dull about midway through
he running time, so for "Sea
Creatures from Outer Space";
I purposefully threw in
anachronistic items and more
modern plot points. I think these
additions will heighten the
viewing experience though, rather
than distract from it.
Owen: Tell me
about your work as Hamilton in
Steve Sessions' ' Cadaver
Bay' with Jeff Dylan
Graham and Elizabeth North.
Lucien: Hamilton
was a necessary character in
"Cadaver Bay"
to expedite the plot, but was a
rather small role (in screen
time). It was a fairly simple
shoot to get all of the footage
needed of Hamilton. I believe we
got all of those scenes done in
two days.
Owen: Is that
movie also known as 'Southern
Gothic' or are they
separate features with the same
cast?
Lucien: "Cadaver
Bay" is also known
as "Hellbound: Book
of the Dead" in its
U.S., but "Southern
Gothic" is another
movie entirely. A lot of the cast
from "Cadaver
Bay" did come back
to be a part of "Southern
Gothic" though.
Owen: You are in
a lot of Steve Sessions
movies...are you guys pals?
Do you hang out off set or is a
professional relationship?
Lucien: Steve is
a great friend. Since our meeting
during the casting of "Malefic",
we have maintained a strong
friendship. I would think that we
gained a friendship out of a
professional relationship and now
we work together because of that
friendship.
Owen: So is the
independent horror scene alive
and thriving in the south?
Are you part of a major film
community down there?
Lucien: There is
no independent horror scene in
the South, not in this area.
There are a few people scattered
around the area that are fans or
that would like to be a part of a
production, but there is no major
film community. Those that are
making movies are doing their own
thing and don't seem to get
involved with the projects of
others. It is quite difficult to
find locals who are willing to
commit to a project for the
duration of an entire shoot.
Owen: What
creeps you out more and why
--- werewolves, vampires,
zombies, psychos, aliens, or
creatures?
Lucien: Psychos.
I fear looking into the eyes of
an equal, someone I should be
able to relate to, and seeing
complete desire to kill. I fear
the inability to rationalize with
someone or something, but when it
is a person, it is more
frightening because they can more
easily blend in and hide their
psychotic ways.
Owen: So what is
something that scares you in real
life?
Lucien: Needles
make my chest feel like it
crumbling as a chocolate chip
cookie under weight of an
elephant. Rats would rate second
place on account of their
oh-so-creepy tales. Third, would
have to be dentists...typically
because they incorporate the use
of my number one fear into my
face. Traumatic stuff.
Owen: So where
is your heart when it comes to
the arts --- is it an even split
between music and movies?
Lucien: Music is
a constant soundtrack to my life.
I always have music playing to
keep me motivated or to allow for
creativity or to help release
some frustrations. But movies are
what drive me. After viewing a
movie, i feel like i have just
become another individual. I walk
out of the theatre taking away
the good points of the characters
or realizing something about
myself or life or just feeling
motivated to create my own
stories. Movies motivate
moviemakers. I consider myself a
moviemaker at heart; now i must
go out and make it happen.
Owen: What's
something that makes you want to
kill?
Lucien:
Waiting...for anything. Stupidity
in society. Breeding in the
ignorant.
Owen: What's
your dream role?
Lucien: Babs
Johnson in Pink Flamingos.
Owen: Hey
Lucien, why do you think so many
gay men are drawn to the horror
genre?
Lucien: I think
that society has come a long way
in accepting the different sexual
lifestyles and attractions that
exist amongst people, but there
is always a small sense of fear
that exist in even the most
flamboyant of people, that fear
that they may be harmed for the
way they are. It is a frightening
thing to think that one could
possibly die because of another's
inability to accept that which
they do not understand. I think
the Gay community is drawn to
horror films because they relate
to the common theme of either a
killer getting revenge on those
who have looked down on them or
the fear that exists in horror
movie victims that are stalked
for reasons unknown.
Owen:
What's the key to being a
convincing killer?
Lucien: Some
actors get too "into"
the character. They take
themselves way too seriously and
feel the need to research serial
killers, watch movies, read
books, etc. to fully understand
the mind of a serial killer and
emulate it. I prefer to just
think of the people that have
irritated me in the past or
present and take out that
frustration through the
character. It's simple really.
Ex-bosses and those i have dated
have been stalked many times in
my acting. It's quite a release
Owen: When I was
a little boy I wanted to grow up
to be _________________.
Lucien:
Originally I wanted to be a
garbage man so I could hang on
the back of those great trucks,
but the created better trucks
that don't require that intense
position. Then, I considered
being a circus clown, so I could
basically act like a child and
get paid for it, but wasn't up
for the traveling. Deep down
though, I always wanted to be a
biker. Perhaps one day I will
realize this possibility.
http://www.b-horror.com/lucien
http://www.myspace.com/luci13
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