If
you popped into the zoo of the
performing arts, you'd find
Matthew Currie Holmes with the
chameleons. - Quirky business
executive? Freaky drug stained
punk? - Hot to trot boy next door
in danger? Holmes has played them
all with agile realism and his
own form of 'POW'! He is best
known, perhaps, as Bobby in the
Harrison Ford action epic
'Firewall' , but beginning with
'The Fog' remake, Holmes has also
become a horror movie stalwart.
He's recently wrapped roles in
the eagerly awaited 'Wrong Turn',
'Hangman' and 'Under the Knife'.
A musician at heart, Holmes fine
tuned some answers to some
questions, below. When you're
done, be sure to check out this
ultra-cool guy and proud father
out at www.matthewcurrieholmes.com
Brian:
Let's start at the beginning. Did
you get bitten by the acting bug
at an early age or did it wait
awhile to sink its jaws into you?
Matthew:
I was always into acting, when I
was 6 years old I was either
going to be an actor or a fire
truck. Come to think of it I
wonder what a fire truck makes
now-a-days.
As
a kid I was raised on 'Abbott
and Costello', 'Three
Stooges' and 'Bruce
Lee' (I know, I know).
My dad and I went to the movies
all the time and if we weren't at
the movies we were watching them
on Pay TV (Super Channel
and First Choice, how's
that for aging myself?). My three
favorite film memories are:
seeing 'Star Wars'
and 'Jaws' in
the theater (78) and watching a
horror marathon with my dad on
Halloween Night. We watched: 'The
Thing', 'Wolfen',
and 'Alien'... I
was 8. Ever since then I have
been fascinated with how movies
are made.
When
I got into high school I was in
all the plays (Danny Zuko-Grease,
Giles Ralston- The
Mousetrap). Nothing says
"You're a big star"
like singing "Summer
Loving" in front of the
entire student body!
Brian:
Is there something specific that
you try to bring to every role
you do or does it always depend
on the character?
Matthew:
Depends. Acting is like a giant
toolbox full of tools. Sometimes
I need to really investigate and
do the work (Back-story,
timelines, emotional arcs) and
other times my job is to just say
the line properly before the sun
goes down. The trick is
preparation. If I have enough
time with a script and a
character I will do what I call
the "good work". The
investigation into his psyche,
the back-story, the 5 W's (who,
what, where, why, when... how),
the stuff I was trained to do.
Then when it comes time to shoot
and I have all that stuff in my
body, I throw it away and have
fun!
Other
times I pull out tricks to sell a
shot. Listen, when you're doing
television you get one or two
takes, and sometimes you aren't
even acting with another person;
like a pivotal scene in
'Dark Angel'. On my
close up I was saying my lines to
a tennis ball in a C-Stand and
having the 2nd AD read Jessica
Alba's part because she had to
get ready for another episode.
When stuff like this happens, you
have to bring it and sometimes
that means bull shitting your way
through a scene. I don't like
working that way but there are a
lot of elements that go into
making a movie or a television
show and guess what? It's not
always about ME so sometimes I
must play the tricks to sell the
shot.
Brian:
You sang in the movie 'Stiffed'.
Do you have any musical
inclinations beyond that?
Matthew:
Jesus, you didn't see that movie
did you? It was awful. As far as
music goes, I have been playing
it since I was 12 years old. My
father was a drummer so I became
a drummer at an early age. I
discovered the guitar at 18. At
that time I was doing theater and
really heavily involved in it. I
decided that I wanted to explore
music more so I started writing
songs and learning covers. The
music bug bit hard so I stopped
acting and tried to start a
couple of bands. I found a small
taste of Indie success in the
early 90's when I fronted a
couple of bands. I found a small
taste of Indie success in the
early 90's when I fronted a
couple of bands. -Most notably
the pop rock band SHiVER
from 95-99. We toured all over
Canada and released a CD.
I
didn't start acting
professionally until 2000. Up
until then it was music. I hate
the music industry and am a very
vocal advocate for artists not
getting fucked around by the
machine. Thank God for My Space
and fan sites. Artists are
finally allowed to regain control
of their art and not have to bow
down to the corporate tit. The
music industry is a horrible
beast and after my band broke up
I wasn't interested in writing
for a long time. When you get
taken out by Labels and courted
by management they expect
something from you and it's hard
not to try and deliver what they
want. Especially with my band, we
were a pop band so we tried to be
accessible in the first place.
Not cause we wanted to sell a
million albums but because we
liked pop music (U2,
Radiohead, The Cure - pop
-not shitty boy band pop). I'm
sorry; I tend to go off on this
subject. The point is, I stopped
music and started acting again
when I was 26. Then a funny thing
happened when I hit 30: I found
peace in music again and started
writing like fiend. I found my
passion again because I wrote for
me and no-one else, I don't care
if you like my music or not, I
don't care if I sell a million
albums or not. And you know what
happened? I started actually
making money (not a lot) off my
music by licensing my songs for
Film and Television. How's that
for Irony?
All
I know, for certain, is that I
will be writing music all my
life. I can't say the same about
acting. Don't get me wrong, I
love acting, it's just that music
is tattooed into my soul; acting
is something I have come learn
through training and respect
greatly.
Brian:
Who are your favorite
musical artists?
Matthew:
Of All time? The Beatles, The
Cure (they saved my life in
High School ), U2, Radiohead,
Mercury Rev, Pixies, Flaming Lips,
- Currently? .... and you will
know us by the Trail of Dead,
Cursive, Doves, explosions
in the sky, Mogwai, Mew,
Coldplay - The list goes on.
I have a friend who is a music
supervisor and he keeps me
posted. Right this second I can't
get enough of 'Silversun
Pickups'.
Brian:
Do you ever use music as a way of
getting into a character?
Matthew:
All the time.
Brian:
Your character "Push"
on 'Dark Angel'
had a way with the flips and the
high kicks. How much of that was
you and how much was a stunt
double used?
Matthew:
We practiced the fight scenes and
the kicks and flips. I had a
stunt double do the handless
cartwheel and the back flip off
of the bar. When it came to the
fighting scene I told the stunt
co-coordinator that I could do
the spinning back roundhouse. I
showed him the kick and he was
impressed but thought it would be
safer if my double (a Black Belt)
did the kick. I wasn't about to
disagree. When we shot the fight
scene my double wound up NAILING
the actor/stuntman in the head
with his roundhouse. He was okay
after he regained consciousness.
Not that I could have done
better, but I often wonder what
would have happened if I was the
one who threw the kick. (I doubt
I would have knocked him out, I'm
not the strongest of men.
Brian:
You appeared on one of
my favorite short lived series
'Wolf Lake'. Do you have
any specific or interesting
memories of working on that show?
Matthew:
It was the first time I
had been killed on film and was
very eager and a little freaked
out (The guys who handled the
guns on this, were also on 'The
Crow' when Brandon Lee
died). I had never fired a gun
before and never had one aimed at
my head.
Lou
Diamond Phillips was awesome. I
told him that I had never
"died" before and,
after we shot the scene, he gave
me a card that said
"Congrats on popping your
cherry."
Brian:
Your character "Sean"
in 'The Fog' is
the recipient of that remake's
first creative death. How
difficult was it to work out the
knife in the eye bit?
Matthew:
All smoke and mirrors. Remember
when I said, "Sell the
shot"? They put the fake eye
on me and attached the knife
handle just before we shot the
gag. I had to block the camera
with the back of my head and then
jerk my face towards it with the
knife already in place. Then they
edited around it. It was a blast.
I loved shooting 'The
Fog' (Too bad it didn't
turn out to very good) the
hardest part was the fact that
the make up was so good I
couldn't see a thing and had to
have someone escort me around all
day.
Brian:
Midnight in Alaska or the
temperature when filming your
scenes in 'The Fog'
- which one would have been
colder?
Matthew:
I've never been to
Alaska but I'll tell you a
secret, most of the boat stuff
was shot on a sound stage in a
huge water tank, so I'm going to
have to say Alaska at midnight
for 1,000 Alex! When we were out
side on the water it was chilly,
not so much for Dee Ray and I but
for my good friend Sonja Bennett
(and Meghan Heffern) who had to
be in a bikini most of the time.
Ouch.
Brian:
In a movie full of cool
characters, Bobby was probably
the coolest character in 'Firewall'.
How fun - or scary - was it to
blaze away on a guitar in front
of church full of extras for
Bobby's final scene?
Matthew:
Thanks man. I loved playing
Bobby.
Here's
an example of trying to bring
something to a character: Bobby's
sole purpose in the film was to
enable Harrison Ford's character
(Jack). When it came time to do
my scenes with Mr. Ford I tried
to do it differently every time.
I figured this might be my only
chance to work with the coolest
movie star of all time so I'd
better make it count. If you
watch the movie when he asks me
to "sit down" I kind of
smirked which made him tell me
twice. That wasn't scripted.
After wards He said "Nice
choice". I was beaming.
-
As far as playing Bass in front
of all those people. It was a
blast. I learned the song (same
riff as The Ramones
"Somebody Put Something In
My Drink" only a lot slower)
which was fun to do because I am
not a bass player We shot that
scene all day and it was great,
in between set ups we were the
entertainment for the crew. We
would jam out playing With Or
Without You for like 20
minutes. The band they hired was
an actual church band and they
were very talented.
As
far as the crowd goes, there were
700 extras. It was my last day of
shooting and, generally, when an
actor is 'shot out' the director
says "That's a wrap on
so-and-so" and the cast and
crew clap him/her out. When I was
clapped out there were 700 people
cheering my name, it was very
surreal and very fucking cool.
Brian:
I may be the only one, but I
really enjoyed 'Wrong
Turn' - so I am psyched
you are appearing in the sequel.
Can you reveal who you're playing
and/or any specific thoughts
about appearing in 'Wrong
Turn'?
Matthew:
I can't really get into too many
details about 'WT2' because
it is actually one of the most
on-line anticipated horror
sequels out there. To share too
much would be a disservice. I
will say this; I play a director
of a reality television show
called 'The Apocalypse'
hosted by Henry Rollins. The goal
of the show is to marry
'The Real World' with
'Survivor' in the bush.
Terror ensues and people get
eaten.
As
far as working on the film, I had
the time of my life. I will also
say that I do die and that my
death scene is legendary. I got
to work with the make-up master
Bill Terezakis and Ken Kirzinger
from 'Freddy VS Jason'.
They both signed my DVD. I'm such
a nerd. What Bill created was
pure art. If you go to my website
and look through the gallery you
can get a sneak peek: www.matthewcurrieholmes.com now I've
said too much
Brian:
In 'WT2' you
appear with two of my favorite
performers - Crystal Lowe and
Henry Rollins. Did you work with
either of them - and do you have
any juicy behind the scenes
memories?
Matthew:
Ha-ha-ha-ha. I worked VERY
closely (wink-wink) with Crystal,
a woman I adore. She is an
amazing person who is wicked
smart. She may play the bimbo in
distress but make no mistake she
knows her shit.
Henry
Rollins is, well, I mean, he's
fucking Rollins right? He is as
intense as you would imagine. He
is probably the hardest working
man I have ever met. He will do
anything for a take and he won't
stop until the director is 110%
satisfied.
We
got to talking one day about his
favorite subject: Music. I made
him a mix CD of some of the shit
I'm into (Cursive, Appleseed
Cast, I Love You But
I've Chosen Darkness) and he
made me two of the greatest mix
CD's I own. They are filled with
rare (often) unreleased tunes
from old school punk bands like
Minor Threat and The
Buzzcocks.
My
favorite memory is bringing my,
then, six month old daughter to
the set and getting pictures of
her w/Rollins. There are a couple
of pictures where she's honking
him on his nose that are
priceless.
Brian:
Lastly, any future projects or
words of wisdom (IE -Don't betray
leper Pilgrims in coastal towns)
that you'd like to leave us with?
And - thanks a lot for doing
this. It's been a blast!
Matthew:
Ha-ha-ha. As far as projects go,
since moving to Los Angeles, I've
shot a couple of low budget
thrillers ('Hangman'
and 'Under The Knife')
that should be due out next year.
As far as words of wisdom....
Life is really short and if you
are not doing what you want to
do, what you dream of doing then
you are not living a full life.
And when you are living that
life.... make mistakes, fuck it
up; you're a human being not a
robot. Have fun. This was my
pleasure Brian. Take good care.
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