PRAEY
Is the tale of a kidnapped
prostitute junkie named Sarah
Brown who Is beaten, locked in a
trunk, witnesses a murder and
THEN is taken to a rural area
where the real action unfolds.
She is delivered to the urbane
Charles who has a sick desire to
rid the world of prostitutes one
at a time. Charles turns Sarah
loose in the expansive woods
surrounding his land and tells
her if she can escape he will let
her live. But Charles has no
Intention of letting her live.
Instead he hunts her down. PRAEY
is wonderfully thrilling with the
suspenseful horror of the
hunter/hunted combining
seamlessly with a supernatural
edge and a spicy dash of
vengeance. It is an amazing
vehicle for the directing and
acting talents of Tiffany
Sinclair who stars as Sara. I was
very impressed. This is a great
lesson on how to make a solid and
engrossing film on a shoestring
budget. It
has more thrills and solid
payoffs than most big studio
flicks. Kudos!
Recently
I was fortunate enough to talk
with Tiffany for a few moments
about her career and about the
making and selling of PRAEY for
this exclusive www.racksandrazors.com
Interview.
Hi
Tiffany, let's start this off
with a graphic for the www.racksandrazors.com
readers. Would you describe
the room where you are answering
these questions?
Well,
Id like to say that
Im in a large den filled
with a huge collection of
hardbound books, artifacts, and
classic film props, like the
original Alien costume etc. But
thats my imagination
running
Alas,
Im in a small second
bedroom that has been converted
into the office of carSINogenic
candy. Im surrounded by
editing equipment, photos, movie
posters, my XL1s that is begging
to be put back on my new glide
cam for more practice, a small
resin collectors Alien right next
to my monitor, my dogs who are
begging to go for a walk, and a
window showing a pleasant (70
degree) but grey day. Oh yeah,
and a coffee cup with Michigan J.
Frog on it.
Well I
just watched PRAEY (which
you direct and star in) last
night and was so impressed.
You did an awesome job! Why
not begin with telling us how the
film came about?
I had
just come back from performing a
role in another film, and was out
of a day job. Rather than just
starving, I thought it would be
better to continue my title of
starving artist.
Really, I thought this was a good
time to jump in and make my first
film. I spent a month or so on
the script. I knew I wanted to
have a killer, and that I wanted
him or her to seem like the nice
respectable, neighborly type. I
also wanted the killer to have
some sort of psychological reason
to kill, not just be an undefined
monster. So I found myself
reading the case files on www.crimelibrary.com to try
to get inside what makes a killer
tick. I found a couple of cases
that interested me, and combined
that with one of my favorite Poe
short stories, and that was the
base of some key scenes. From
there, I started to see scenarios
for the characters in my head,
and wrote around those images. I
pictured the characters
interacting first, and wrote in
the dialog after.
Can you
give a quick teaser that
will make seeing the movie
irresistible to the racks and
razors readers?
Praey
relies on story, emotion, and
suspense for its fright factor.
Its not just blood and
gore. There is actually very
little blood and gore. There is a
lot of well-choreographed action
(choreographed by Brain Sheridan)
and for the women out there; Sara
comes back with more than a
little vengeance (I personally
like that part!). For the record,
I can tell you that there is at
least one spot when, at all three
theater screenings during the
premier weekend, just about
everyone jumped! It was really
fun to sit up in the balcony and
watch 75-100 people pop in their
seats!
So did you
choose the spelling of PRAEY
to refer to it both as
"praying for survival"
and the "hunting of human
prey"?
Yes,
you got it! I was going back and
forth on whether to call it
Pray or
Prey. I cant
take credit for the brainstorm.
Andy Alexander, who wound up
playing The Puppet Man, made the
suggestion of using that
dictionary symbol that looks like
a combination a and
e, thus, the play on
words. I loved it and it stuck.
Your role
looks to be so
physical. Did you sustain a
lot of injuries or poison ivy or
whatever as you were beat up and
slapped and punched and fought
and locked in a trunk and fled
and fled and hid and fled in
that small dress (and barefoot)
through the woods? That
looked like torture! What
was the worst of it?
Everyone
asks about my poor bare feet!
It was
pretty physical, and I was lucky
to be working with people I could
trust to beat me up without
really hurting me! I had a blast
with it, but I did get a few boo
boos here and there.
Heres
a quick run down:
1)
Thorns in the bottoms of my feet
from unseen thorn brush. They
looked like just little weeds, so
I mistakenly ran right through
them a lot. It was months before
I found the last thorn in the
bottom of my foot.
2) A
nice gash on the bottom of my
foot from a root in the dirt that
I stumbled over during a fight
scene. We filmed it actually, but
we ended up using the fake wound
in the film. It looked better
than the real one.
3) A
bruise bigger than a softball on
my butt from sliding down the
hill. That was pretty!
Other
than that, just a few little
cuts/scraps/bruises here and
there. Not bad considering what
Sara goes through in the film.
But
none of that was the worst of it!
The water Sara goes into may look
inviting, but it was actually
freezing cold snow water running
off the mountains. Going under
that water literally took my
breath away. Sara was supposed to
swim up stream more in the
script, but we had to cut it
short, as I just couldnt
swim in it at all. And my DP,
Brian Gurnett, had to be knee
deep in that water the whole
time. I know he was numb! He is a
real trooper. He wanted to get
the scene as much as I did.
Now as a
filmmaker was it a major
challenge to direct yourself or
were you able to be fairly
objective about your
performance?
It was
a huge challenge and I think
its extremely hard to be in
character and still be objective
as a director. There are scenes
in Praey that I dont find
to be my best acting or directing
as a result of trying to wear
both hats at once. It was never
my goal to give myself the lead
in a film. In other words, I
didnt make a film so that I
could star in it. But Im
living in a small town here, far
away from the huge number of
actors I worked with in NY. After
seeing what Sara had to go
through, you can also see where
it would have been hard to find
someone to do all that. I was
particularly concerned about the
stunts. Ive had some
professional training and still
got banged up. I would have been
very uncomfortable casting
another actress and putting her
in a position where she could
hurt herself. I dont plan
to even have a role in our next
film. I want to be able to focus
better. I have a role in the
upcoming film Take Away
Spirit from One Shot
productions. I can satisfy my
acting bug there.
Ultimately
what do you want the viewer to
come away from PRAEY feeling
or thinking? What do you
want their experience to be?
I
generally write for entertainment
value. If anyone walks away
having been entertained, Im
happy. There are some messages in
Praey, but none that I wanted to
force down anyones throat.
Sara has a deep and true mothers
love for her daughter. If
anything, I would hope that
people see how far one can go to
fight for the people they love.
And how strong the will to
survive is. Same for Charles,
really. His psychotic actions are
out of love and hurt. I think the
power of human emotions is
intriguing to say the least.
So
ethically where do you stand on
hunting...obviously not humans,
but is this a statement as well
as animal hunting as sport?
I
wasnt trying to make a
statement about animal hunting.
Personally, I could never shoot
an animal. I like to fish, but I
dont even keep the big
ones, I let them all go. I have a
huge soft spot for animals. But
its not my place to tell
someone else that they cant
shoot and eat a deer. I have
heard that the deer are over
populated and if people
didnt hunt them, they would
only end up starving to death. I
dont know if thats
true or not. Killing an animal
just for fun, disturbs the hell
out of me. I just dont
understand it. But really, many
of the animals in slaughterhouses
are treated far crueler. So I
guess if someone is going to hunt
for food, they have the right to
do so. You wont see me
doing it though. I actually eat
more soy products than animal
products.
PRAEY is
a great testament to your
capabilities as a
filmmaker. Now that this is
out there and being distributed
by SRS Cinema and destined to
find a solid audience what is
next on the agenda for you?
We are
working on two scripts in house
right now. One is written by
Brian Sheridan and is cool
vampire story called Devil
at the Door. The second is
a curse story that Im
working on with the working title
Inborn. We intend to
shoot both of them this year.
For the
record, we have signed the
foreign contract with SRS, but
are in the final stages of
working out the domestic
contract. I just dont want
anyone to run to the SRS Cinema
site looking for Praey this week
and wonder why they dont
see it. But it should be out
there soon.
I also
want to hear what would be
your advice to anyone out
there looking to film their own
independent movie project.
What was the biggest lesson your
learned from the experience?
Get a
lot of sleep before you go into
production!
Really,
what I learned is that all the
planning I did was never enough
and even some of my best plans
got thrown out the window.
Its not easy, its a
lot of fun, but its not
easy. I think you have to have a
very deep understanding of your
script and characters, but then
be willing to make it work in
less than perfect conditions. You
will have problems. You will have
to problem solve on the fly. It
is both mentally and physically
exhausting. But if you take time
to laugh and enjoy the process,
its more than well worth
it. We laughed a lot on the set.
I
actually recommend that any one
who wants to direct learn to
edit. I cant imagine not
editing my own work. And
Ive learned a ton from the
editing process.
Oh
yeah, and pay a lot of attention
to sound.
Okay we
are pulling the car into the
Tiffany Sinclair Drive In.
What three horror flicks are on
the triple bill and what goodies
are they going to be serving up
at the concession stand?
I only
get to pick three! Oh geez.
Im going to go with the
first three that pop into my head
here, as I love too many.
Aliens
(Directors Cut)
The
Masque of the Red Death
(1960s Vincent Price)
May (I
love Angela Bettis)
For
snacks, traditional movie
popcorn, the kind that is really
bad for you and has lots of
butter and salt on it! Pepsi, not
Coke. And sour gummy worms.
What makes
you go psycho in real life?
Apathy
and Ignorance.
What
scares you in real life?
Your
going to laugh after seeing
Praey, but here goes
Water:
I can swim well and love a pool,
but can not stand to be in water
with other living things. Like
rivers or oceans or lakes, etc. I
dont care what anyone says,
if there is something living in
there that can bite me, it can
surely swim faster than I can.
Snakes:
Scared to death of them. Again,
hey, they bite! Of course,
so do dogs and I love dogs. My
puppy is biting my big toe right
now. I dunno, I just dont
dig snakes AT ALL.
The out
takes of me and that snake in
Praey are a riot. There is no
doubt about it, I scream like a
girl!
Thanks
for the chat, its been
really fun!
All
the best with the film Tiffany.
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