

An
immortal human being named Matthew Van
Helsing (Christopher Plummer) who keeps
himself alive with these objects that
look like leeches has battled Dracula
(Gerard Butler) down in London, England
almost two centuries ago and thought that
he has put an end to him. He kept him
safe in coffin at a chamber.
During
the year 2000 a group of thieves from New
Orleans steal the coffin but end up being
killed by Dracula during their plane
flight back to New Orleans as their plane
crashes in a lake.
Then
Dracula wrecks havoc with the locals
their killing people by drinking their
blood as well as turning them into
vampires to work for him in order to
search for Van Helsing's daughter Mary
Heller (Justine Waddell) so he can turn
her into one of his people.
Van Helsing and a vampire hunter named
Simon Sheppard (Jonny Lee Miller) travel
from London to New Orleans to try and
rescue her before it's too late.
Mary has a bad feeling about Dracula
being able to trap her with no escape.

During the
beginning the story seems quite rushed
but then it starts to make sense while
watching through it.
It's a nice look at a Dracula film of the
millenium and it's terrifically paced and
lots of vampire action fighting.

The acting is in
good taste. Gerard Butler is
believeably scary as Dracula with his
menacing looks and dynamic performance as
well as his cold like speaking.
Christopher Plummer brings the
charm to his role as an immortal trying
to hunt down Dracula as he is great with
his character and speech.
Justine Waddell was also great
with her role too as Van Helsing's
troubled daughter.
Jonny Lee Miller shows terrific
energy as a vampire slayer.
Jennifer Esposito seemed to grab
alot of viwers attention as a lustful
vampiress who knew her stuff inside out.

There is a brief
breast shot of a woman that dracula is
making love to while floating.

A couple people
are stabbed with spikes.
Peoples necks are chewed off and lots of
blood splattering too.
Bloodied bullet shots. A sliced off head
of a black vampire and two vampiress'
beheaded as well.
Van Helsing has a bloody stabbing of a
sword through his neck.
A sharp piece of wood is stabbed through
a vampiress' heart.

Patrick
Lussier is wonderful with his
direction in the film.
There's good shots on an old ship during
a prologue in the sea with some corpses.
Cool shots on Christopher
Plummer using a needle to get blood
from a leech as well as his reactions
whne he injects it acting like he is
really getting high along with nice close
up shots on his eyes changing.
A good surrounding with the supporting
cast performed by people like Lochlyn
Munro, Sean Patrick Thomas,
Danny Masterson and Jennifer
Esposito around Dracula's coffin
plus great moments with some boobytraps
when they try to remove the coffin too.
Danny Masterson does well trying
to open the coffin acting frusterated by
it. as well as good shots on him trying
to remove a leech from his nose as he
reacts well to the pain.
There's a great jumping moment with Gerard
Butler as Dracula suddenly jumping
up from his coffin. and grabbing Masterson
by the throat as well as a great close up
shot on Butler's fangs.
A nice surprise shot on Butler
standing upside down revealing his fangs
as well ready to attack.
A good close up eye to eye shots on Butler
and Esposito as well as a
good shot on Butler reaching his hand to
her and suddenly biting her on the neck.
During this moment we have a nice tense
reaction on Sean Patrick Thomas along
with him holding a gun and firing.
A nice hallucination sequence with Justine
Waddell and
Butler as Waddell does
well trying to shake off from what she's
seeing and telling herself to wake up
while Butler stares at her
mysteriously and slowly walks towards
her. There is also a close up camera shot
on them face to face.
A nice peaceful dialogue between Waddell
and supporting actor Nathan Fillion
when she tries to confess to him at a
cathedral.
A nice and witty performance with
Jeri Ryan screwing up doing some
takes on the news near a swamp as well as
a great painful reaction on her when she
is scratched on the throat by Butler.
A nice battle scene with both Plummer
and Jonny Lee Miller
against mainly Esposito as she
shows some nice vampire like attitude.
Lussier sets the dialogue
perfectly between Plummer by
telling Miller about his past
with Dracula a century ago as there's a
good narration by Plummer
showing a flashback that involved him and
Butler.
A nice shot on Butler sitting on
top of a ledge of a house.
A good performance on supporting actor Jonathon
Whittaker as he is questioningEsposito
through a glass and she does well acting
very crazy and lustful during this
moment. A great shot on Esposito
breaking the glass and grabbing him in.
Other supporting actor Robert
Verlague knew how to scream like a
sissy when Butler approaches him
which looked impressive.
A nice shot on Butler walking by
in a music store with some extra's as
girls browsing some Cd's and him looking
like Mr Charming. Good shots on the
extra's noticing him.
A nice setting between Butler
holding Colleen Fitzpatrick's
hand in a music store showing that
vampire like charm.
Butler does well slickly coming
up to Fitzpatrick on a staircase
face to face as well as great camera
shots on a lustful scene between the two
of them with good effects.
Great fighting sequences between Omar
Epps and Miller with some
good kicking and body slamming in a
parking lot.
A nice shot on Butler cornering
Plummer and speaking silently to him.
Waddell is impressive holding a
bat and walking around the house by being
cautious in case Dracula is near.
A nice angle shot in the hallway of the
house with Waddell being trapped
between Ryan standing and
speaking to her along with Esposito
and Fitzpatrick crawling on the
sides of the walls which looked quite
suspenseful.
There's also a good camera shot panning
in on Butler in the hallway
about to charge towards Waddell as
she does well looking frightened and
trying to escape. There's also a cool
shot on a wolf running to attack when
this happens.
Perfect shots on Waddell running
through a cemetary with fog rolling in.
A good and brief direction on Miller
being pitted against Ryan, Esposito
and Fitzpatrick.
Butler does well with his quiet
speech in front of an electric crucifix
hanging from the top of a building with
good camera shots on him near a ledge.
A good setting with with Waddell biting
Miller on the neck as well as
him reacting in pain to it. Both Esposito
and Fitzpatrick do well reacting
to this showing their fangs and breathing
out loud.
A great battling sequence between Butler
and Waddell along with Miller
battling Esposito which were the
best fighting sequences directed by Lussier.

The music is also terrific
compsed by horror film composer Marco
Beltrami as his music is very
mainstream sounding by having strong
classical music with the horn playing
along with some drumming sounds and the
odd chanting. Some good screeching sounds
too to top it all off.
We have a
bitchin soundtrack which is a similar
style to the Spawn soundtrack
with artists like Powerman 5000,
Disturbed, Slayer, System of a Down,
Monster Magnet, Godhead, Linkin Park,
Pantera, Static-X, (Hed)P.E., Taproot,
Endo, Flybanger, Half Cocked and Saliva.

Simon
Sheppard: What the hell happened in
there?
Abraham Van Helsing: I told you to
kill her!
Abraham Van Helsing: They can be
killed by silver, by sunlight or by
stakes. you must pierce their heart or
behead them. they are nosfaratu,
vampires.
Simon Sheppard: And you knew about
this? And your alright with this?
Abraham Van Helsing: I had them
destroyed irradicated. All but one. My
secret in the abbey. He is what they
stole
Simon Sheppard: Who?
Abraham Van Helsing: Dracula.
Dracula, not myth, no ravings of a mad
irish novelist, oh no. He is real I
assure you
Simon Sheppard: This is the
fucking twighlight zone
Solina:
You don't build this kind of security
without a gold mine to hide.
Dracula:
We are so much more complicated than our
names.
Simon
Sheppard: NEVER... ever FUCK with an
antiques dealer!
Dracula:
I don't drink... coffee.
Marcus:
[Simon produces a cross] Sorry
sport. I'm an atheist.
Simon Sheppard: [a dagger pops
out of the cross' base] God loves you
anyway.
Solina:
[to Simon] You Brits like to
sweet-talk. You Brits like to romance,
and all I wanna do is suck.
Lucy:
You had him every night in your dreams
and you didn't even share!
Dracula:
You made the world in your image. Now I
make it in mine.
Lucy:
It's even better than chocolate.
Lucy:
I was named after the "Peanuts"
character.
Dracula:
I will show you what I have never shown
another.
Nightshade:
I said I was sorry...
Dracula:
Mary, you're afraid. Don't be.
Valerie
Sharp: Can you see my face?
Camera Man: Yeah.
Valerie Sharp: Okay. Can you see
my tits?
Solina:
Well, Mr Van Helsing, haven't you been
selfish?
Marcus:
Better than money!
Dracula:
Dignity, doctor.
Solina:
Being chosen, it's like being born.
Valerie
Sharp: I don't want to die.
Dracula: Then you never will.
Dracula:
You cannot imagine what I've had to
endure. I have felt the very wrath of
God, chosen to suffer like no man before.
Mary:
I am Mary Van Helsing. I am my father's
daughter. And none shall take that away.
[Simon
brandishes a Bible before the advancing
Dracula]
Dracula: Propaganda.
Dracula:
Everything I am is yours. And all you are
is mine.
Detective
Gautreaux: Solina, Dr. Seward tells
me you believed to be a vampire. Now how
does one become a vampire?
Solina: No, how does one become...
a lover?
Detective Gautreaux: Well, I don't
know.
Solina: [Groans] One is
chosen.
Detective Gautreaux: Did you see
that?
Dr. Seward: See what?
Solina: [sighs; Sultry voice]
Would you like to be chosen, Mr.
Detective? Are you waiting for a woman to
choose you as a lover?
Detective Gautreaux: Are you
getting this on tape?
Solina: [Yells] Look at me
when I talking to you!
Detective Gautreaux: Um, Solina,
you... you can't see me.
Solina: Of course I can.
Abraham
Van Helsing: I swear to Jesus
Christ...
Dracula: [interrupts] He
doesn't care!
Dracula:
You haven't been feeding her.
Simon
Sheppard: [Translating Slavic Text
on a Crossbow] All fear he who walks
beneath the crown of Eternal Night.
Abraham Van Helsing: No, no, no
it's not crown ... it's halo, beneath the
Halo of Eternal Night
Simon Sheppard: Oh well, you see
why the design never survived, look at
how heavy it was compared to what they
were using in England at the time.
Abraham Van Helsing: [talking
about the crossbow in his hands] Ah,
while the English made them for firing
Arrow Shafts of wood, this was made for
firing shafts of metal.... Silver
Dracula:
You think you can teach me about
betrayal?
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