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Brian: Youve had such a
distinguished career-which we will get into,
presently. To start us off, though, would you
mind giving us some background information? Where
did you grow up and what were your early
interests? Were you always creative?
Harley: I grew up in Lincoln, Nebraska, for the most
part, after short stints in Pennsylvania and
North Dakota. My mother used to say I was the
busiest child she knew. I always had
projects going: the drawing of the
family Christmas card, the endless painting of
horses, the telling of long-winded stories, the
care and feeding of a variety of pets, the
playing of many musical instruments (my mom was a
music teacher.)
Brian: Ive
always assumed that you studied theater in
college. Is that correct? Your performances have
always been so natural and grounded- its
like your characters, no matter how extreme their
situations, are living and breathing in the room
right next to us.
Harley: Yes, I did study theater, first at the University
of Nebraska, for three semesters, and then at
NYUs graduate acting program. I suspect
that living and breathing in the room next
to us is a Nebraska thing. No matter how
much I want to be exotic, Im a Cornhusker
at heart.
Brian:
One of the reasons that I enjoy House on
Sorority Row so much is because I find
that the actresses playing the sorority sisters
interact so well together- and that their
characteristics are a bit more defined than most
victims in Drive-in Slasher flicks of
the 80s. (I particularly enjoy the drunken
toast scene, the pool-practical joke scene when
Mrs. Slater dies and the kitchen scene after her
body has gone missing.) Did you find that you
bonded well with the other actresses, off-screen,
or was it all just good acting?
Harley:
We bonded like cement! We were cast in
New York and L.A., but shot the film in
Pikesville, Maryland, and stayed together at a
strange summer camp-type place called Koinonia,
which pretty much mandated close friendships. For
most of us, it was our first movie and its
hard to overstate the euphoria we felt, just
being there and acting under what would now seem
like pretty grungy working conditions.
Brian: Your
character, Diane, gets tossed into the green
slimy pool where a lot of the suspenseful action
takes place. Was the pool as grimy and disgusting
as it looked? Also- who/or what was rolled into
the pool when the sorority sisters pushed the
corpse of Mrs. Slater into it? Im assuming
that it wasnt her portrayer, Lois Kelso
Hunt.
Harley: You assume correctly. Yes, the pool was grimy and
disgusting, but the natural grime was augmented,
I think, by stage grime, some kind of
manufactured seaweed (or maybe they imported it;
I dont recall) artfully placed on our faces
and bodies. And yes, Ms. Hunt, not quite the Jump
First, Ask Questions Later actress we young
things were, was not the corpse in the pool. That
honor, if memory serves, was given to a young and
no doubt unpaid production assistant, wearing a
football helmet, wrapped in . . . whatever. I
think his name was Alan. He was our mascot and
hero.
Brian: Was your
death scene spooky at all to play or was
it just another day at the office? (In fact, it
looks like some of the bloodier stuff was
inserted later, when you werent even on the
set.) Also, you and the others got to reappear as
ghouls in Kathryns hallucination- how fun
was that?
Harley: Well, Death came to me in the middle of the
night, and so it had some initial spookiness to
it, but the trick was to keep making it spooky
for myself as the night dragged on and on and on
. . . And because this was, as I said, my first
feature film, I had not yet developed the
another day at the office mentality.
It was all exciting. The only really creepy part
was having to shoot an underwater scene that
called for us to float, facing the camera, at
different levels in the water, dead. They tried
to get us to agree to be weighted down to keep us
from bobbing back to the surface, but by then
wed learned not to count on anyone jumping
in to rescue us, if they had to choose between
saving our lives and getting the shot. Especially
since wed completed most of the principle
photography and were now expendable. I think they
ended up revising the script to accommodate our
selfish desire to survive the film.
Brian: Finally!
The last question about House! You, Eileen
Davidson (most famously, and currently, on Young
and the Restless, along with Days of Our
Lives and Santa Barbara)
and Kathryn McNeil (on As The World Turns)
all went on to have successful soap opera
careers. Was that something you were ever able to
bond over, at industry functions, for example,
after the filming of House? Also, even though it
is very rare for people to keep in touch after a
creative project wraps up, do you know what any
of the other Sorority women are doing presently?
Harley: Believe it or not, we never met up at any
industry functionssoaps dont
intermingle much, especially if theyre on
different networks. We did, however, keep in
touch, we soap opera threethe other
sisters, I believe, went on to happy lives as
civilians. Kate and I would regularly meet at
auditions, for years afterwards, and Eileen ended
up marrying a guy in real life that Id been
married to on Santa Barbara. We last saw each
other at a funeral.
Brian: You had some amazing soap roles and plots.
On Texas you were a geologist exploring an
Indian burial ground/cave called Hi-to-pah, on Guiding
Light you had crazy adventures with humpy
Michael Woods character including
jumping off of a cliff with him, disguised in a
nuns outfit, and on Santa Barbara your poor put upon character was killed on the
rooftop of a hotel by a huge, crashing neon
letter C! (Those last two events will
be forever engrained in my mind as two of my
favorite scenes of high school viewing.) Do you
have a favorite daytime role or plotline? (In
fact, if I recall correctly, you actually
performed the cliff-jumping stunt!)
Harley:
Yes, I did jump off that cliff, which was pretty
wimpy as stunts go, but pushed the outer limits
of my physical courage. Thanks for noticing! A
favorite storyline of mine was when Tony Reardon
on Guiding Light first fell in
love with Annabelle Sims, my character, from
afar, but couldnt understand why. Id
pop up in strange places, wed exchange
fleeting glances, and then by the time hed
cross the street, Id be gone. And every
time he spotted me, theyd play
someones version of It Had to Be
You (there are a lot of versions of that
song.) It wasnt as dramatic as being
crushed to death by the letter C or
having a haunted house that led to me running
around sugar cane fields in Barbados with a
gorgeous brother-in-law, chased by assassins, but
it was so subtle and romantic . . .
Brian: Was Pam
Long actress, writer and producer of Texas
and Guiding Light - an
inspiration to you?
Harley: Absolutely. Theres something irresistible
about people reinventing themselves and for Pam,
who was such a compelling actress, to turn
herself into a writer and producerthat was
wild. At the time, I didnt understand why
it fascinated me so much, as I was still in my
full-out acting mode. But in my late 20s, a
series of eventsthe deaths, from AIDS, of
my closest friendswoke me up to the fact
that there might be more to life than the next
audition. I became interested in what
regular people did for a living and
what made actors in particular turn to other
things. As time went on, the path Pam took became
increasingly appealing to me.
Brian: After the
soaps, you went on to appear in action film The
Taking of Beverly Hills and then major
projects such as When Harry Met Sally and Parenthood.
While, Im assuming that the latter two
were, both, good experiences, you were much more
present in Parenthood. Were you ever
called out for your stress relief
monologue in public? And- were you just in
actors heaven throughout the entire
project? (I mean Steve Martin, Rick Moranis, Mary
Steenburgen, Dianne Wiest, Jason Robards, Helen
Shaw, and Tom Hulce!!! Wow!)
Harley:
And dont forget Keanu Reeves.
Unlike the arduous audition process for When
Harry Met Sally (more callbacks than lines, in my
case), the audition for Parenthood was so low-key, I couldnt believe I got the
job. It was only later that I found out from my
agent who my co-stars were. I remember yelling
over the phone, Im the only nobody in
the movie! When I heard that Jason Robards
would be my father, I burst into tears. It was
all just too much. I spent the first two weeks on
the set convinced they were saying, which
of these actors is not like the others? and
preparing to fire me. Id call my best
friend Dan back in Lincoln to talk me down off
the ledge. Also, Rick Moranis took me under his
wing and got me through that early period, just
by being the kindest human being on the planet.
But no, people dont ask me about the blow
job monologue much. I cant imagine why.
Brian: In Arachnophobia,
there is the scene where you and your family exit
the house, while spiders scoot up and down the
walls and floors. Were you creeped
out about working with the spiders? You, also,
have a scene, earlier in the film, where you
deposit a spider in the family barn. Was it hard
to get the spider in question to cooperate when
its time to drop out of the towel in your hand
arrived?
Harley: Im okay with spiders. Now
rodentsthats another story. We had
spider tutorials with the spider handler and
learned that for the most part, spiders are our
friends. Plus, a lot of those spiders were
plastic or animated and the real ones were kept
on a short leash, as it were, by their entourage.
The problem with acting with arachnids is that
they get cold very quickly (like me) and when
that happens they just curl up and refuse to
move, say their lines, hit their mark (unlike
me.) So they had to be coaxed with blow dryers on
hot to act at all - Very
temperamental.
Brian: You share a
neat two-person scene with John Goodman, at his
wackiest, as the exterminator. Do you have any
memories of that scene or of working with
Goodman?
Harley: Just that I adored him. Hes a very funny
(big surprise) guy, and one with a heart of gold.
Brian: You
appeared in the comedies Necessary Roughness
(which I really kind of enjoyed) and The Favor.
In both, your characters lust after former high
school crushes, but in The Favor, you get
to perform a 91/2 Weeks style seduction, plot and
plan with jealous fervor, have a nervous
breakdown in bed, fall asleep on a washing
machine after taking Valium and saunter across a
fish gut strewn deck looking unbelievably sexy in
a hot red dress an actresss dream
role, I would think. Do you have any favorite
memories from making that film?
Harley:
Yes: Bill Pullman, Brad Pitt, Ken Wahl. And
Elizabeth McGovern to share them with.
Brian: In Sci-Fi
thriller, Dark Planet, you play a
traumatized, in control commander of a space
fleet. A nice change of pace for you, I would
assume. (I, also, love the short sleek
do you sport!) Any memories of
shooting the intense reaction shots as Michael
Yorks crazed captain tortures your
character? Craziness!!
Harley:
Yes. My husband, bless his heart, has a
fondness for all my worst screen moments, and
that scene is one of his top picks (along with
the reaction shot of me in a TV movie called A
Friends Betrayal, when I discover
that Sharon Lawrence is sleeping with my teenage
son, Brian Austin Green.) God knows what I was
thinking as I produced those tormented screams.
Shooting that movie in 18 days, maybe?
Brian: What was
the transition from acting to writing like? Was
writing something that you always wanted to do?
Would you like to return to acting someday?
Harley: The transition was gradual. Id been writing
for years, as a sort of hobby, a way to use my
creative energy when I was between jobs, or when
I was doing acting work that didnt use up a
lot of brain cells. Then I began to notice that
my writing was becoming more interesting to me
than the characters I was playing, more serious
and ongoing, and then I got pregnant, and then
did it again, having three children in two years,
which puts a damper on acting work, and in that
period I sold two books, so there you go. I do
think about acting, but so far the scheduling has
proved an impossible obstacle, as my book
contracts and promotional activities keep me busy
full-time, as does being a mom to children ages
5, 3, and 3.
Brian: Finally,
another tri-fold question: Where do you get the
ideas for your novels? What are you working on
currently and where can those interested
fans get your books?
Harley: My ideas come from my life, from my friends
lives, from articles in the newspaper, from
things I hear on National Public Radio, from the
ozone . . . Im currently working on Book #3
in my series, working titled Dead Ex. My first
two books, Dating Dead Men and Dating
is Murder are available at bookstores,
libraries, all the usual places, but if you
cant find them, call up my favorite local
hangout, The Mystery Bookstore
(www.mystery-bookstore.com) at 310 209- 0415 and
theyll happily send them to you. |
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