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Hello Mary Lou: Prom Night II (1987)

   
Directed by: Bruce Pittman

Written by: Ron Oliver

Starring:

Michael Ironside .... Bill Nordham
Wendy Lyon .... Vicki Carpenter
Justin Louis .... Craig Nordham
Lisa Schrage .... Mary Lou Maloney
Richard Monette .... Father Cooper
Terri Hawkes .... Kelly Hennenlotter
Brock Simpson .... Josh
Beverley Hendry .... Monica Waters
Wendell Smith .... Walt Carpenter
Judy Mehbey .... Virginia Carpenter

Release Date: Theatrical: October, 1987

Rating:

 

In 1957 a graduating teen named Bill Nordham (Michael Ironside) takes her sleazy troublemaking girlfriend named Mary Lou Maloney (Lisa Schrage) go to their prom at Hamilton High but she uses him and makes out with another guy there.
Mary Lou is voted Prom Queen and while she is on stage Bill tries to drop a stinkbomb on her but her dress is on fire and she is burned to death.

It is now present day and Bill is now a father as well as the principal of Hamilton High. His son Craig (Justin Louis) is preparing his prom night with his girfriend Vicki (Wendy Lyon).
However the highschool seems to be possessed by Mary Lou as her soul was kept in a trunk down in the highschool cellar that someone opened releasing her and Mary Lou goes on a killing spree with her song playing each time she is about to do so.
First she kills a troubled teen named Jess (Beth Gondeck) making out like she hung herself as if it was a suicide.
But Mary Lou also possesses Vicki to do more killings and Vicki also encounters nightmares of being Mary Lou as well as experiencing hallucinations.

Mary Lou tries to seek revenge on Bill during this years prom night after what he did to her.

 

Bears no relationship on the first film but there is a memorable line that was used in both of these films.
Very much like the original A Nightmare On Elm Street (Especially the ending) before the dark comedy in the sequels with Krueger doing people away with his jokes.
Clever and well done but the story is a little rusty. Check it out if you like this kind of teen horror flicks.

The acting is well done for it's time. Wendy Lyon has great timing for her character as the posessed Vicki which she shows perfect raging anger and evil like expressions.
Also Michael Ironside knows his stuff very well in this one as the school principal and disturbed about what happened at his prom showing good expressions and emotions too.
I also liked the highschool bitch that Terri Hawkes played named Kelly as she does well acting whiney and smart alecky.
L
isa Schrage shows a nice sleazy and evil presence to her part as Mary Lou and knows how to grab the viewers attention.

Wendy Lyon is full nude when her character is possessed by Mary Lou in a change room as she tracks down one of her victims (who was nuse in a shower) singing Tutti Frutti.

Mary Lou gets scarred from the burning.
Someone is crushed inside a locker and some guts splurt out.
Blood drips from Billy's head in a nightmare.
A guy is electrocuted causing his face to burn off.
Mary Lou's gruesome corpse crawls out of Vicky's chest.

The directing by Bruce Pittman is just as well paced as the acting which is a compliment. He shows an impressive beginning showing the outside of a highschool as well as shots of the hallways and then a trunk opening up.
A great close up shot on L
isa Schrage entering a cathedral looking innocent. There is a nicely set dialogue on her confessing her sins to supporting actor Jay Smith as a priest as he shows nice tense expressions during this moment and Schrage does well by saying she loved every minute of her sins acting like a typical troublemaker.
A good set at the 1957 prom with good close up shots on Schrage and supporting actor Steve Atkinson dancing.
Both Schrage and supporting actor Robert Lewis both look good by making out and acting sleazy.
A nice shot on the fire scene as well as Schrage screaming in flames and looking at Atkinson from above a stand as he does well by looking terrified by his accidental prank.
There is a good look on supporting actress Judy Mahbey with her stern attitude about the prom during the breakfast table in a Carrie like fashion.
We have a nice dialogue between Lyon and supporting actress Beth Gondek alone together discussing an issue in a washroom as it looks very natural. Gondek does well by crying on set.
There is a good horror moment with Gondek with wind blowing at her and a haunting killing her with a cape she's wearing and her reactions were terrific.
Lyon
performs terrifically intense in a hallway by turning at
Terri Hawkes character and cussing her out with wide eyed and angered expressions as Hawkes knew how to act like a snob.
There's a perfect argumentive dialogue between Mahbey and Lyon during a dinner table. Lyon really knew how to have a snappy like attitude.
There's a good scene in a gymnasium with Hawkes by heaving a volleyball towards Lyon's head as she falls down quite well.
There's a nice dream sequence with Lyon in a ghostly like gymnasium with a perfect shot on the zombie like extra cast members charging at her saying her name and a great shot on Lyon being tangled in a fake web and screaming as well as hollering when this happens which looked like a perfect nightmare sequence.
Richard Monette
does well chanting at a catherdral with candles around him.
There's a good strong dialogue between Ironside and Monette as it looked believeably aggressive about Mary Lou returning.
Lyon
was good at a diner acting emotional wondering what is happening to her.
There's a perfect and suspenseful moment with hands coming out of a blackboard and grabbing Lyon as she does well by acting terrified.
There's a perfect close up shot on Lyon possessed with great evil like attitude in a cellar of the highschool.
There's a good shot on Lyon's feet walking in the hallway of the school and then strutting her stuff.
A good shot on Lyon slowly walking into a shower and kissing
Terri Hawkes character as the setting does seem strange and creepy. Hawkes does well being getting spooked and good shots of her trying to escape and hide in the changeroom.
Lyon's
does well acting demanding at the gymnasium to the cast members decorating it for the prom.
A good shot on Lyon's barefeet slowly walking as well as her walking by some lockers and staring at one to do her deadly spell.
Lyon
is great by behaving lustfully vicious and violent towards Justin Louis and he himself is great by getting freaked out by all of this.
Ironside
does well in a dream sequence with a bloody head screaming for his son in the dark hallway and a nice shot on a car driving away with Louis is screaming for his life in the car with Schrage in it.
A good shot on Lyon standing in the principal office with her icy voice and Ironside acting confused and scared.
Ironside
does well by striking Louis on the head.
The settings and going on's at the prom looked extremely cheesy.
A good shot on Schrage on the top step leading to the cellar with a bright light from behind her and a perfect close up shot on her approaching for her prey.
Perfect blocking with Ironside crowning Schrage and kissing her.

Paul Zaza composed the music and does a terrific job with iit as it's a perfect touch for an 80's horror flick as well as some good windy howling and moaning sound effects too.
There are also a couple of oldie hits like "Tutti Frutti" and of course "Hello Mary Lou".

Mary Lou Maloney: Forgive me, Father, for I have sinned. It has been three months since my last confession. I've disobeyed my parents many times. I've taken the Lord's name in vain many times. I've had sinful relations, with boys at my school. Many boys, many times.
Priest: My child, these are great sins. You must prepare yourself for the consequences.
Mary Lou Maloney: Father, there's just one more thing.
Priest: What is it, my poor child?
Mary Lou Maloney: I loved every minute of it.

Josh: Life's a joke, then you croak.

Vicki Carpenter: [possessed by Mary Lou] BE GONE! COME ON!! There's no God, Buddy!! And there is no Heaven, and do you know what pissed me off the most?!! NO FUCKING WINGS!!!

Vicki Carpenter: Places to go, people to kill!

Kelly: Who won?
Josh: I'm not supposed to tell, IT WASN'T YOU.