I
began talking with Lynn Lowry in
the Fall of 2004. The answers to
my questions came, slowly, but
with beautiful detail. It has
taken awhile for me to compile
the results, but as we near the
end of the summer of 2006, I' m
sure that you will find it was
worth the wait. Every moment that
I spent communicating with Lynn
was a marvel for me. I truly
believe, as the title of this
interview states, that she is a
legend. She has survived the best
- and the worst- and is an
inspiration for all. You need
only read, below, to discover
that for yourself. Brian:
My first question is about
survival instincts. It seems like
you have had to fight a lot for
yourself in this aggressive, male
dominated business. So, did you
go into this often crazy
enterprise with an attitude
primed for survival or did you
have to, slowly but surely,
lesson by lesson and project by
project, find it within yourself?
Lynn:
I didn't really know what
survival instincts were in the
beginning. I was pretty trusting,
and never thought anyone would
take advantage of me. My biggest
problem was never having a really
good agent or manager to help me,
show me the ropes, and guide my
career. I did everything alone,
and it's really amazing I
accomplished as much as I did.
What
I did begin to learn in order to
survive was how to use my
sexuality to manipulate people
and gain the upper hand. I don't
particularly think this is a very
noble thing to do, but I had to
rely on my instincts, and being
attractive is a very powerful
weapon. I was very fortunate to
have worked with people like
David Durston, George Romero, and
David Cronenberg. They are
wonderful, kind, and very
creative people, and they treated
me with decency and respect. I in
turn did my very best for them.
Over
the years, I have still tried to
treat people the way I would like
them to treat me. But I see much
more quickly if that person is
deserving of my energy. There's
no doubt that this business is
very hard on women. And I was
always strong in my belief that I
had a gift to share with people,
and that to this day has always
carried me through.
Brian:
Was there a project - theater or
film- that was your toughest and,
therefore, least favorite- and
what valuable lessons did you
learn from that? Also, can you
answer the same question(s) for
your favorite project - theater
or film?
Lynn:
I think my least favorite project
was "Score".
Radley was delightful. The
country was beautiful. My room
overlooked the Adriatic Sea. It
was heaven, except for Claire
Wilbur. She was indeed very
difficult to work with. From the
beginning, she didn't like me.
She had found out that I was
making more money on the film
than she was, and she felt that
Radley was giving me all the
close-ups and favoring me in the
film - Which, of course, was not
true. She looks fabulous in the
movie and is very funny. The love
scenes were almost impossible.
She didn't even want me to touch
her. So I really had to act on
that one. She caused a lot of
unnecessary stress and tension
for everyone. What I learned.
Make sure the other leading lady
never finds out how much money
you're making.
My
favorite project was a theatrical
production of Tennessee William's
"Summer and Smoke".
I had worked on this play for
years and dreamed of doing it.
Miss Alma is a wonderful
character, very funny and heart
breaking too. My director friend,
Lester Shane, and I had about
$250.00, and we decided to do
this production. With no money,
we rented The Manhattan Theatre
Club in New York, hired a great
cast and crew and got them to
work for nothing, and like Judy
and Mickey put on a play. It was
pure magic. We were sold out
every night, the show was
extended, Al Pacino and Meryl
Streep saw it and I got a
standing ovation every night. It
was the most magical event I have
ever been a part of. It was like
it was supposed to happen against
all odds.
The
lesson learned was to really
network your project, spend time
getting the right people to
attend, so it can take you to
that next level. So much time was
spent on the creative aspect; the
business part was put to the
wayside. It is difficult to
remember sometimes that creating
something beautiful isn't enough.
You must remember that you're in
a very competitive business. But
in spite of the fact that our
production didn't go to the next
level, my heart was fulfilled,
and in this case, that was
enough.
Brian:
Is there a type of theatrical
role (Crazy Southern
Belle, Controlling
Matriarch... ) or genre
(Shakespearian, Musical Comedy
etc.... ) that speaks to you the
most as an artist? Or do you
enjoy all of your theatrical
experiences, for different
reasons, equally?
Lynn:
I do enjoy all the roles I have
played. It's funny, but until
recently, I really liked my
theatre performances the best,
because I felt they were more
artistic. But in the last couple
of years, I've been watching my
films and finally seeing what so
many of my fans have told me. I
have been told that not only are
my looks quite appealing, but my
subtext in character and emotion
shines through all of my work.
That makes me feel very proud to
have contributed to the horror
genre. I was very lucky to have
worked with such great people and
have such dynamic roles that
represent me.
I
must say though that my absolute
favorite role in theatre was Alma
in "Summer and
Smoke". Although I
overcame my shyness later in
life, I had many past experiences
to draw on that fit with this
character. And she had such a
beautiful heart and soul - So
delicate and vulnerable, and yet
so strong. I loved playing her.
In
films I liked my role in
Shivers and The
Crazies the best. In
Shivers I got to be the heroine
and then the villain. That was
great fun. The swimming pool
scene at the end is my all time
favorite image of myself on
camera. She is sexy and evil at
the same time. I actually get
goose bumps when I see myself
come up out of the pool. The
Crazies role was
terrific because I really got to
act and portray a character
slowly losing her mind. The
emotions of the performance and
the underplayed nuances stand out
for me. And of course I love the
death scene, even though I didn't
agree with George when we shot
it. He was right. Simplicity and
innocence was the way to go.
Brian:
I am a music whore - I love
everything from punk rock to
insurgent country and back again-
and cabaret is one of my favorite
forms of entertainment. I think
so much can be done with the form
(some friends in Chicago,
recently, did an entire show of
Prince's music) and my dream is
to direct different cabaret
productions, one day. Who are
your favorite songwriters, if
any, that you love to perform and
have you done any theme shows
(such as an evening of Weill or
Sondheim)?
Lynn:
I have done two theme
cabarets. One was a review of all
the hit tunes from the Hit
Parade, and one was called
"City Lights". It dealt
with songs from different cities.
You would be amazed at how many
songs there about different
cities. "Chattanooga
Shoeshine Boy", Chicago
Illinois", and "Love in
Oxnard" are a few goodies.
The shows were a blast and they
helped me to form my own show
which deals pretty much with
music from the 20s, 30s. and 40s.
I especially love Jerome Kern and
Cole Porter. I think these songs
will last forever. There's
nothing like them, and they
always evoke the most wonderful
emotions when you listen to them.
I've only been doing my show for
a few years, but audiences seem
to love the trip down memory
lane. I just finished my first
CD, "Something Cool".
There are copies available on my
web site www.lynnlowry.com for those
interested.
Brian:
I am crazy about soap operas. My
mother got me hooked at a young
age. In fact, my first crush was
on an actress who played a
teenage prostitute named Robin on
"Search for Tomorrow"
when I was 5. You have appeared
on a couple of soaps. On the
first one, it seems as if you
were the young heroine. What was
your role like on the classic "Another
World"? Were you
the female villain? What was that
experience like? You seem to have
only been on it for about a year.
Was that your choice or that
frequent malaise known as the
"producer shake up"?
Lynn:
I was actually on 4 soaps. How
To Survive a Marriage, Lovers
and Friends, Another
World, and Generations.
My favorite was How To
Survive a Marriage or HTSAM,
as we called it. I was on this
show from the beginning to the
end which was I think about a
year and a half. We changed
censorship on Soap Operas
forever. They finally gave up and
let us do pretty much what we
wanted. I started out as the
tramp trying to break up Ken
Kercheval's (Dallas) marriage.
Got involved with a new
boyfriend, Brad Davis, on my
journey, who was, by the way, an
extremely crazy and yet sensitive
young man. I knew Brad very well.
We were great and intimate
friends, and his passing was very
hard. Next I got a job at a bar,
and the bartender was Armand
Assante. Armand helped me to get
my first agent here in Los
Angeles. His first day at the
soap, he asked me to stay during
lunch and run the scene with him.
I'm sure glad I did that. And I
ruined my boss's (F. Murray
Abraham) plan to commit
kidnapping and murder. At the end
of the show I was a heroine and
married the doctor, Jim Shannon,
who played opposite me in Sugar
Cookies. Small World!
Lovers
and Friends lasted about
a day. It was produced for NBC
but just never took off. I played
a bitchy model, but not for long.
Another World
was exciting because it was an
hour long. The car would pick me
up at about 6 in the morning to
take me to Brooklyn. But my role
was so-o-o-o-o-o boring. I played
the good sister, Doris, who took
care of the crazy sister, Olive.
My lines consisted of "Would
you like some coffee?" and
"I'll get my sister".
Wondering around the halls of NBC
in Brooklyn for 12 hours a day
was dull to say the least. But
the money was nice. I decided to
leave the show, because I wanted
to move to L.A. It was funny,
because when they wrote me off
the show, my lines were that I
was finally going home to L.A.
Generations
was shot in L.A. I
played a fortune teller. I tried
to make her a modern sexy type,
but they wanted the long skirt
and bells. What can you do? That
was the extent of my Soap career.
It was a great learning
experience, and it's very hard
work. The first show I had a
script to learn just about every
night. But working with those
people was definitely a
highlight!
Brian:
There have been beautiful
articles on you in Fangoria
Magazine and Femme Fatales that
have focused on your classic
genre credits like I
Drink Your Blood
, The
Crazies and
They Came From Within.
What have some of your recent
genre experiences, such as
working with Donald Farmer, been
like?
Lynn:
It was a pleasure working with
Donald. I have seldom met anyone
who has as much knowledge of
films as he does. He was very
good at casting for "Compelling
Evidence", and he
pretty much let me do my own
thing. All of my scenes were shot
in one day, so that was
challenging. But coming from a
stage background, I was able to
do everything for him. I would
love to work with Donald again.
Brian:
You are truly an inspiration to
me. Despite all the difficulties
of a show business career, you
have never, ever given up. If I
may say it without offending you,
I believe that you are a Legend
and it has been a true honor to
ask you these questions. In
closing, I believe that you have
some upcoming projects that you
would like to fill us in on.
Lynn:
I am very excited that all these
wonderful things have been coming
my way. It's like my career has
begun again, and I intend to take
full advantage of that. I just
finished a film, "Heaven
Help Me", directed
by Mark Baranowski. It's a
poignant love story with a lot of
comedy. Not a horror film, which
was indeed refreshing, although I
love horror. I play Mark's Mother
and have an excellent scene with
him. I believe the film is
finished and should be available
soon. Dana Carney has just asked
me to star in his next film, "Dust
To Dust". I play a
nasty, bad lady in one of the
stories, and two other characters
in the other two. That should be
great fun to do three completely
different characters. Dante
Tomaselli has cast me in his next
film, "The
Ocean", to be shot
in Puerto Rico in Jan/Feb. I play
a jazz singer caught up in the
mystery of the village. Anolis
Films in Germany is talking to me
about doing their next feature.
They are the company that is
releasing "The
Crazies" in
Germany, and they invited me over
this year to help advertise the
film. They were wonderful, and I
met so many fans there. It was
such a great experience. I would
love to work with them again. I
also am just about to finish my
first CD "Something
Cool", filled with
wonderful standards. So I have
quite a few exciting things going
on.
I
want to thank you Brian for your
last comments in reference to me.
I often forget how powerful those
films were, and that my film
persona is so memorable. I am
continually amazed and surprised
that I have lasted all these
years. But I am proud of all the
work I've done, and I'm thrilled
that so many fans remember me and
enjoy my characters. If anyone
would like to contact me, please
go to my web site www.lynnlowry.com and my
e-mail address is there. I love
hearing from fans and will write
them back. It's has been my
pleasure answering your very
interesting questions, and I am
so sorry it has taken me so long.

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