Actor/Director/Writer
Nate Barlow didn't know quite
what to expect when he and fellow
actor/directors (Russell Scott,
Josh Austin, and Eric Manning)
decided to tackle making a
chapter horror film in 2003. It
was decided that each would
direct and star in various
segments. The entire process of
production, post production, and
eventual distribution (by Anthem
Pictures) took three years but
the end result seemed well worth
the hassles. 'TALES FROM BEYOND'
starring Adam West (as the
mysterious bookseller whose shop
frames all four stories) has won
Best Picture Awards at the 2004
Shocker Fest and the 2004
ShriekFest and hopes to find very
green pastures in home DVD rental
and sales. Recently I had a
chance to candidly chat with Nate
about TALES FROM BEYOND and the
arduous journey from shooting
nights and weekends to finding a
distributor, the influence of
horror films on his work, and of
course Adam West. Nate, why
not start is off with a visual
and describe the room where you
are answering these questions?
I'm
in the office in my apartment -
white walls covered with movie
posters and a gold album that a
friend gave to me. Behind me is a
bookcase filled with DVDs and a
rack full of CDs. In front of me,
there is a collection of office
and video-related machines,
including, of course, my
computer.
Let's
talk about 'Tales From
Beyond'. How did the
original concept for the movie
differ from the finished project?
The
initial concept was for the four
writer-directors (myself, Eric
Manning, Josh Austin and Russell
Scott) to direct a series of
low-budget
"down-and-dirty"
shorts. Each month we would pick
a new genre and all four of us
would shoot our own piece inside
that genre, thus giving us a
breadth of experience in a short
period of time. Instead, we ended
up shooting one feature comprised
of four interconnected shorts
with a lot higher production
value (and for a lot more money)
that took twenty months to
produce- and another two years to
be released!
I
want to hear how Adam West came
to be involved in the film as the
introducer of the tales?
From the
moment we decided to interconnect
the four stories to form a
feature, we had wanted to attach
a name actor to one of the
bookstore roles in order to
enhance our marketability. So
when it came time to cast the
sequence, we put a notice out via
Breakdown Services (the same
service used by all the major
studios and television networks
to solicit submissions from
agents and managers), keeping our
fingers crossed that the notice
might resonate with somebody.
Since actor\rquote s reps work
off commission, ultra-low-budget
films such as ours rarely
generate any traction with them-
there simply isn't much money to
be made for their clients (and,
hence, themselves). But we got
lucky! The breakdown caught the
eye of Adam West's agent and she
submitted his headshot. We sent
her the script; she liked it and
passed it on to Adam, who also
liked it! (On set, Adam would
later pull me aside and tell me
that he loved my words. What a
compliment!
And
as a devout Batman fan I need to
know: what is something about Mr.
West that surprised you?
He
not so much surprised me as
impressed me. He was a complete
gentleman and an absolute
professional. No ego. A complete
joy with which to work. And very
spry!
I
was reading something about your
making of the 'Tales From
Beyond' where you
mentioned the importance of
having a good amount of money for
post production costs. Could you
explain that a bit more clearly
for all the filmmakers out there?
I
worked crew on low-budget indie
films for years. A mistake I saw
repeated over and over was that
the filmmakers, either in a
desperate attempt to get the film
in the can or in the misguided
notion that they could do a great
job on their own for free in
post, would spend all their money
on shooting. With no funds left
for post-production, the film, if
completed at all, would look and
sound terrible. So budgeting
properly is critical for creating
a good movie.
What
exactly was the process from
finishing the film to getting it
picked up for distribution by
Anthem Pictures?
We
started off by sending
submissions to various festivals,
eventually playing five and
winning two (ShockerFest and
ShriekFest, receiving the awards
on the same night in 2004). That
gave us the ammunition to land a
producer's rep, Strategic Film
Partners, in mid-2005. It took
almost another year before they
were able to hook us up with
Anthem, and then another three
months to work out the details of
the contract.
Nate, if
someone wants to pick up a copy
of Tales From Beyond what is the
easiest way to go about doing
that?
Probably
the best way is online; I've seen
it listed on numerous sites,
including Amazon. But many
brick-and-mortar stores carry the
disc, too
So
if you were going to make a
'Tales From Beyond 2' what
are some of the things you would
do make the entire film
production process easier this
time around?
Having
a film already out on DVD alone
should make it much easier!
Ideally that would not only allow
us to raise money to fund the
film from outside investors (we
paid for 'Tales' from our own
pockets) but also allow us to
shoot for a significantly higher
budget. Secondly, we would shoot
straight through, instead of on
nights and weekends.
You're
also one of those
writer/director/actor/producer
guys...which of these three roles
gives you the most pleasure and
professional satisfaction?
Directing,
and then acting. Each brings a
different form of satisfaction,
so it's tough to name just one.
And
other Nate Barlow projects you
would like to give our readers a
heads up about?
I'm
in post on a documentary short
entitled Jamboree, about an
extracurricular public school
music program. I'm working on
several feature film scripts that
I would either like to direct or
sell, whichever opportunity
presents itself first.
Do
you recall the first movie you
saw that scared the shit out of
you?
It
was 'Indiana Jones and the Temple
of Doom'. Not the film as a
whole, but the scene where the
priest reaches into the human
sacrifice's chest and pulls out
his heart.
Okay,
we're pulling the car into the
Nate Barlow Drive In. What three
horror flicks are on the triple
bill for tonight and what goodies
are they going to be serving up
at the concession stand?
'The
Shining', 'Psycho', and the
original 'Omen'. As for
concessions, I'm not a big fan of
the junk food fare available at
most theaters. For drinks I would
have some fine wine, single-malt
Scotch and good coffee. For food,
steaks, elegant pasta dishes,
Mexican, Italian, all sorts of
cuisine.
What
makes you go psycho in real life?
Stupidity
and being blamed for things that
aren't my fault. Drives me up a
wall!
What
scares you in real life?
Failure!
I'm so drive to succeed that I
don't know what I would do if I
failed. And snakes. I was almost
bitten by a black mamba when I
lived in East Africa nd then
again by some other unidentified
kind of snake. The experience has
always made me wary of them,
albeit fascinated at the same
time. I'm not so badly off that I
can't hold a snake that I know is
safe.
|