Thirty-something
North Carolina inhabitant Shawn
Hunt is the cinematic barker at
Funhouse Pictures -- the man with
his name on the door and his
scrawl on the checks. Funhouse, a
subsidiary of Crazy Ralph
Pictures, is coming full force
onto the indie horror scene like
Betsy Palmer with a butcher
knife. Shawn
is the writer/director/editor of
The Shrieking
(currently in post-production).
This is Shawns first
full-length feature and it stars
Splat Pack regulars (and www.racksandrazors.com
interviewees) Kelly Ray, Nathan
Faudree, Anna Bridgforth, Dana
Leuth, and Logan Hunter. Shawn
has also done the
director/writer/editor thing for
the vampire short Midnight
Snack (scored by the
amazing Christopher Kahler who
also did the soaring scare-score
for Klownz) and
A Spider Beside Her.
In addition hes also acted
as executive producer for the
Crazy Ralph feature Hunting
Season, the upcoming
Psycho Cheerleaders,
and the Tim Ritter short film
The Burn. (On a more
somber note Shawn Hunt is
also a Chicago Cubs fan.)
Damn
-- when this man arrives he
really arrives! And he has
arrived just in time for this
exclusive www.racksandrazors.com
interview.
Hi Shawn,
lets start this sucker off with a
visual. Can you describe
the room where you are doing this
interview for the www.racksandrazors.com readers?
I'm
actually sitting in my spare
bedroom, which serves as my
office, in front of my
computer. I'm surrounded by
posters from different Carpenter
films ("Halloween",
"The Thing" etc.),
hundreds of unsorted DVDs on the
floor, a life-size Natalie
Portman standee from
"Star Wars" and
a really fat cat sleeping on the
bed.
I want to
hear about 'The Shrieking'.
As director/writer/editor of the
movie what was it you wanted to
create with this film?
Well,
the idea came to me years ago
when I was watching Charles
Pierce's G-rated "Legend of
Boggy Creek" (1972) and I
began to think what a shame it
was that nobody ever tried to
make a really spooky and intense
indie Bigfoot flick back in the
70's when the Bigfoot craze was
at it's peak. That's when
it hit me that I should try to do
one myself and I began working on
the script shortly thereafter
- which I would best
describe as a cross between
"Boggy Creek" and Wes
Craven's "The Hills Have
Eyes" (1977).
So do you
think Bigfoot exists or is a Big
Legend?
I
spent most of my childhood living
in the Pacific Northwest, the
very heart of
"Sasquatch" country,
and we lived in a new subdivision
that was surrounded by an endless
evergreen forest. As a kid,
I would always hear grown ups
telling tales about strange
sightings and experiences they
had with some unknown hairy
bi-ped in the woods which left an
impression on me. Whether
or not they were true or just
trying to scare me, I don't know,
but I used to hear
eerie sounds coming from
within the forest behind our
house
that I naturally attributed
to Bigfoot (even if they were
probably from some coyote).
I remember moving my bed away
from the window because I was
afraid Bigfoot might crash
through it and snatch me out of
my bed after I saw that
happen in a movie called
"Sasquatch" (1978) when
I was 9. (laughs)
Do
I think Bigfoot is real?
Probably not. I'm a big nut
for the paranormal and the
unknown (UFOs, ghosts, Bigfoot,
etc.) and always approach it with
a strong degree of skepticism,
but also with the heart of a
believer. I'd like to think
that there's some mysteries left
that science has yet to answer,
but most likely Bigfoot is
the product of stories from
people with overactive
imaginations like myself.
Of those
many hats you wore for 'The
Shrieking' production
(as well as for your previous
movies 'Midnight Snack'
and 'A Spider Beside Her')
what gives you the greatest
pleasure and which is the most
challenging for you?
If
I had to pick which phase I like
best, I would have to say
editing. To me post
production is the most
exciting phase of movie making as
that's when you get to see
everything start to come together
and the movie begin to take on a
life of it's own.
As
for most challenging, far and
away that would be handling
pre-production duties.
Going around, gathering equipment
and props, setting
up casting calls, meeting
with strangers about using their
properties - all that I would
love to pass on to someone else
who has a passion for it.
Me personally? I like just
getting out there and
shooting - not making phone
calls into the wee hours of the
night trying to make sure
everything's ready for the next
day's shoot. Unfortunately
though, at this level that's just
something you have to do.
Speaking
of challenges you have filmed a
lot of gruesome scenes --- of
everything you have done what has
been the most challenging bit of
disturbing cinema for you to
capture?
One
thing I wanted to do differently
with "The Shrieking"
was focus more on the reactions
of the characters and their sense
of loss, rather than on the
carnage itself. Too often
in horror films the pacing is
rushed just to get to the
"kill" scenes and I
felt that it was much more
important that the audience
empathize with these characters
rather than just having them
being stalked and killed by a guy
in a Bigfoot suit.
We
were shooting one scene where the
characters realize that the
situation has become very grim
and emotions begin to
run high. During
the shooting of it, I distinctly
remember watching the actors (who
did such a wonderful job with the
material) playing out these
scenes and feeling a genuine
sense of sadness for
each their
characters knowing what
awaited them. Throughout
most of the shoot everyone on the
set was usually cutting up,
having a good ol' time, but this
one afternoon everyone
was deadly serious and you
could just feel the dread
hanging over the whole set.
I just hope the audience walks
away with that same feeling.
'The
Shrieking' is a
Funhouse Picture as is the
upcoming 'Demoniac'.
Before we go any further I
want to hear about the creation
of Funhouse. How did the
merger with Tony Urban's Crazy
Ralph Pictures come about?
Funhouse
Pictures was born right around
the time I decided that I wanted
to make "The
Shrieking". I knew I
was going to have to assemble a
group of people who were both
enthusiastic, as well as
dedicated to the idea of making
low budget horror, so I turned to
my longtime friend David Passine
to assist me in finding other
local area filmmakers within
Charlotte that could help us get
Funhouse off the ground.
Once
we got established and began
making short films, I realized
that in order to do "The
Shrieking", I was going to
need to find someone who knew the
indie horror scene and could help
advise us on getting the film
into production. At the
same time Tony Urban of Crazy
Ralph Films was looking for an
executive producer for his viral
thriller, "Hunting
Season", to which I
contacted him and agreed to help
him out.
While
"Hunting Season" was in
production, Tony and I really hit
it off, especially with our
common love of horror films, and
when the topic of conversation
turned to "The
Shrieking", Tony was excited
by the idea and offered to help
produce it. It
didn't take long after that
before we discussed the idea of
merging Funhouse with his Crazy
Ralph Films. I was spending
so much time trying to create a
website, promote the company and
so forth, that I found little
time to actually get to make
movies. Tony, on the other
hand, is phenomenal at
promoting, as well as creating
websites (not to
mention he already had a
business license, which was one
other hassle I didn't need to
worry about) and with our
merger, I knew it would
allow me to just focus on
filmmaking, which was all I
really wanted to do. Our
partnership has been a wonderful
experience to say the least and I
couldn't have asked for a better
partner, let alone such a good
friend.
I also
want to hear about the
"mission statement" of
Funhouse Pictures.
One
of my actors, Christopher John
("A Spider Beside
Her"), came up with a great
tagline for us, "The
Re-evolution of Indie
Horror", that I really
loved. While we certainly
don't think we're about to
revolutionize the indie horror
scene by any means, my goal for
Funhouse is to make
horror films that actually set
out to scare audiences
and as well as straying
away from the formulaic studio
films or the exploitive nature of
most B-movies.
As someone
with a few productions under his
belt, what has been the most
important thing you have learned
through trial and error as a
director from your endless
backyard flicks as well as 'Midnight
Snack' and 'A
Spider Beside Her'.
Something that you brought
to play in 'The Shrieking'?
The
one thing that I learned right
away is that the whole Robert
Rodriguez "one man film
crew" thing really doesn't
work - at least not for me.
I like to be able to be freed up
to work with the actors, discuss
options with my DP and just be
available to whoever needs
me. I like to be able to
rely on others to do their part
and give them the creative
freedom they need to do it
right. Filmmaking is a
collaborative art and I think any
director would be wise to heed
what others have to say, no
matter how much experience they
may have.
Tell me a
little about the upcoming movie 'Psycho
Cheerleaders' that you
are going to be producing?
I
can't take any credit for
"Psycho Cheerleaders"
as my involvement is really just
moral support - the project is
all Tony Urban's creation and he
deserves all the
attention. He's fashioned
a really funny horror comedy in
the vein of films like
"Satan's Cheerleaders"
(1977) and "Sorority
Babes in the Slimeball
Bowl-O-Rama" (1988) that I
think all fans of the genre will
really enjoy. The film
stars John Karyus
("Kottentail") and
Nathan Faudree ("Hunting
Season"), with Tony behind
the camera as well.
I also
want to hear about the status of
'Demoniac'.
How far along is the production
and what plans do you have for
that fright flick?
"Demoniac"
is one I'm really excited about
as, unlike "The
Shrieking", it's really not
something that is an homage to
other horror films, but in fact
something I hope many will find
unique. I've been keeping
the most of the plot
details under
wraps (mostly due to some
plot twists that I want to avoid
spoiling), but what I can tell
you is that it involves a series
of murders that take place at a
secluded apartment complex that
seem to stem from an occultic
source.
The
script is nearly complete and
we're hoping to get things
rolling towards the end of
2006. The cast is largely
made up of Splat Pack
members: Dana Leuth, Nathan
Faudree, Anna Bridgforth, Kelly
Ray, Nicki McFarlane and many
others. Tony Urban will be
producing and Christopher Kahler
will be handling scoring duties
once again.
As an
upcoming director I also want to
hear you feelings of on-site
vs. computer-generated
effects.
I
really am very old school in my
approach to filmmaking and not
one to use any computer-generated
imagery if I can help it.
Unless we're talking huge
Hollywood Blockbusters, I've
often found that CGI can really
take me out of a picture if it's
not done just right - that's why
I prefer my monsters and gore
effects to be latex rather than
on computer.
Time for
some fun. We are pulling
the car into the Shawn Hunt drive
in --- What three horror flicks
are going to be playing on the
triple bill and what goodies are
they going to be serving up at
the concession stand?
Well,
if you had pulled into my
driveway instead this
past Saturday night, you
would've been treated to a triple
feature of Cronenberg's
"Rabid" (1977),
Romero's "Martin"
(1977) and Carpenter's "The
Fog" (1980), with a plate of
hot, Eggo waffles and a glass of
milk. And they say I
don't know how to
party! (laughs)
Shawn, do
you have anything else you would
like to plug, promote, or inform
the www.racksandrazors.com readers
about?
Check
out www.crazyralph.com
and come join us in the
forums. We're always on the
lookout for other horror buffs
and indie filmmakers who want to
talk movies with us!
What makes
you go psycho in real life?
Neighbors
who keep their cars parked in
their driveways and blaring their
bass! Either drive on or
shut the damn stereo off!
(laughs)
What
scares you in real life?
Losing
my family - my biggest fear more
than anything else in the world.
I've also
gotta know - what is a diehard
Cubs fan doing in North Carolina?
Cubs
& Bears fan actually.
(laughs). Long story, but
I'll just say that my grandfather
was born and raised in Chicago,
so I'm just keeping it in the
family. That and I am a
glutton for punishment. Go
Cubs (and Bears)!!!
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