At what age did you see yourself
as a film director?
Late teens. I really wanted
to become a movie producer ala Roger Corman or
Irwin Allen. I realized that as a producer I
would be the most affordable director I could
ever hire LOL. So I tried it and liked it.
Did you see
yourself doing horror films?
I've
always loved the genres. You can experiment in
horror films as long as you deliver the necessary
scares, thrills and chills. But I really like all
types of movies but nowadays I'm typed as a
horror director which is fine by me!
You started
out in the adult film industry were you ever
hoping to move up into the bfilm circuit?
I don't
consider it moving up just sideways. LOL. I met
some great people in that industry and leaned a
great deal because back in those days you really
had to deliver a storyline, production value and
since we we're shooting on film it really had to
look like a "real" movie.
Now your
directorial debut I understand was a film called 'Dreamaniac'.
What inspired you to direct and produce this
horror flick?
'DREAMANIAC'
is a 'NIGHTMARE ON ELM STREET' knockoff but with
a female Freddy Krueger. 'NIGHTMARE' was a huge
hit at the time and I thought I would capitalize
it the success of that film.
What was it
like working on set of this film?
It was great. I
had 10 days and we shot on 16mm with many people
I had met in adult. I was 24 years old and really
learning while I was earning. Its a strange film.
Never been released on DVD. Hopefully one day it
will!
Were there
alot of challenges doing this piece?
Not
really other than it being my first non-adult
movie.
Did it go to
theatre's or direct to video?
Direct
to video (VHS). Too gory for the silver screen
screamed the video box cover! LOL
The next
project I understood was 'Creepozoids'
in which you had a hand in wiritng it. Were you
influenced by the 'Alien'
flick as well as those old fashioned monster
movies to make this one?
It was
totally influenced by 'ALIENS' which was a big
hit at the time. It was tough creating all those
monsters without CGI but I think we pulled it off
quite well. The film has a good look and delivers
the tits and slime! LOL
Who was up for
auditions?
Nobody
recognizable but on 'DR. ALIEN' Brad Pitt
auditioned for me. I'm still kicking myself that
I didn't hire him!
Now Linnea
Quigley was a top scream queen during this time
you cast her as a tough soldier named Bianca
after her fame in 'Return of the
Living Dead'. How did you find
her and did you feel it would help give the film
a boost with the publicity she was getting?
Actually Linnea
was an old friend from a short film I worked on.
She agreed to do the movie because she liked
me. I love that women. We had so much fun!
Now during the
beginning the cast were walking along some
railroad tracks. Were they still in use and
feared it would hold up production if a train
came by?
We stole
all those shots on a weekend in downtown LA. I
think it was a dead track anyway.
What was it
like filming the abandoned laboratory scene? Do
tell us details.
We shot
in a small studio on Washington Blvd. in LA. I
think the entire film except the exteriors was
shot on 1200 sq. ft. The production designer did
a great job making it look bigger than it was.
Which was the
toughest scene to direct?
Anything
to do with the creature. They had to look amazing
and terrifying. We used a substance called ULTRA
SLIME that gave the creatures a shiny look.
I'm proud of the work on that film.
What was the
most enjoyable scene you directed?
The big
battle royale fight at the end when the
'CREEPOZOIDS' all show up and the lead actor has
to battle them.
What was it
like directing both Linnea and Ken Abraham who
played Butch with both of them together as they
seemed to have great chemistry since you often
cast them as a couple for your other films?
I love
Ken Abraham. I met him when he was an extra on
'TUFF TURF'. He was sexy and cute and he came
along for the ride. I was shooting alot of nudity
back then and he didn't mind dropping his pants
on camera. LOL.
I liked the
scene's with the giant rats attacking or when Kim
McKamy as Kate was possessed and was attacking
Linnea's character. Did you have alot of fun
directing those scene's and any secrets you'd
like to tell on set of those moments?
The
giant rats we're not shot right. I screwed that
up myself. The zombie fight with Linnea was fun
to direct but Kim did not actually do the fight.
It was a stunt women in prosthetic makeup!
There were
great shots on lead actor Richard L. Hawkins as
Jake battling a baby creepozoid. Was it a
struggle shooting that and how long did it take?
The baby
creepozoid we called Hector. He stole the movie.
I could make a whole movie about that baby. He
was challenging to shoot because it had a handful
of cables coming out of it's ass. Took days to
get it right but I like the results alot.
I understand
that this film got a quick theatrical release.
What was it like watching it on the big screen?
Hilarious.
It played nationwide. One of my first movies to
actually play on 42nd street in NYC. The film
also played in Portland, Oregon at the last
surviving Grindhouse downtown where I worked a a
projectionist as a teenager.
How long did
the movie play in theatre's as the limit is
usually 2 weeks?
10
prints, 20 cities over two months is what I
heard.
What kinds of
feedback or publicity did the film get?
Mixed as always.
Everybody seems to like the shower scene though.
haha
Now you were
going to make a sequel but it fell through. What
were the reasons for that?
Rights
issues I think. Not sure. Would love to do a
sequel though!
Did it take
place right after the first one since the baby
Creepozoid was very well alive and Hawkins was
going to reprise his role in it?
No script
was written. Not sure what the story would have
been either. That was back in the days where we
announced a sequel and presold rights and made it
when the money came in. The good ol days!
Your next
horror flick was 'Sorority Babes
in the Slimeball Bowl O Rama' in
which you used some of the similar music in it.
Of course it starred Linnea Quigley as a punk
burglar named Spider and it also co-starred Robin
Stille and Brinke Stevens. Did you ever watch
them in 'Slumber Party Massacre'
and gave you an idea to work together in this
flick?
Yes. I
did. Saw 'Slumber Party Massacre' at the theatre
when it came out. The music for both films was
performed by Guy Moon who went on to great
success. Check his IMDB. He's huge now! I LOVED
Robin. Sad story though.
I understand
it was long nights at the bowling alley since you
were able to do it after hours. What can you tell
us on directing this film. Was it very struggling
to do?
Oh
yeah. Long nights. But SOOOO much fun. Those
we're the good ol days when you could make crazy
movies like that. Great crew and cast. So much
fun. It too 12 days to shoot. We are hoping to
release a special edition with an amazing behind
the scenes documentary
I understood
Robin was a little difficult as she was dirnking
on set. Were there alot of problems when she was
acting with her costars like Linnea as she told
me she got hurt during their fight scene's with
one another?
Robin was
not difficult but I think she was drinking. BUT
she wasn't the only one! It was somewhat of a
party on that set.
I loved the scene when
supporting actress Kathy O'Brecht as a possessed
Rhonda was using a decapitated head as a bowling
ball or when she was beinding a metal bar when
Linnea's character was trying to hit her with it.
Did you find shooting her scene's on these fun
and rewarding?
That was
a fun fight scene. A fight between the bride of
frankenstein, a nerd, a motorcycle chick and a
demon. I mean, c' mon I was in hog heaven!
Which scene
did you really enjoy directing with this film
that you felt really made it a horror film along
with it being credited as a comedy as well?
Any
scene with Linnea, Brinke and Michelle. They were
great and so much fun. We became good friends
after that movie.
Now I
understood that this film was given a limited
theatrical release during January of 1988. What
parts of the country did it go to?
Same
markets as 'Creepozoids'. I did see it in a
theatre and the "comedy" element did
NOT play well. The girls got lots of hoots
though!
Now the film
I'd love to talk about is 'Puppet
Master III: Toulon's Revenge' as
I thought that was your best work ever. What was
it like working on that film since you had some
name actors like Richard Lynch, Sarah Douglas and
Walter Gottel?
I really
enjoyed that film because I felt I had a great
script and the time and money to do it right.
Sarah was great and Walter was a hoot! Guy Rolfe
was a dear man and I directed him again in
RetroPuppetmaster. We shot for 18 days of first
unit. Then a week of puppet inserts. The actor
Michael Lowry who is big in daytime soaps now
started his career with that film. Shooting on
the Universal Backlot was great fun.
Who did you
enjoy directing the most in that film?
Most likely Ian
Abercrombie. So sweet and so much fun. I worked
with him again later and we became good friends.
What was the
whole environment like with the Puppet's
attacking the actors playing Nazi's as it was
extremely effective as well as Guy Rolfe's
dialogue with young actor Aaron Eisenberg?
The whole
nazi thing was kinda creepy but we we're trying
to make a horror movie version of 'WHERE EAGLES
DARE'. It really is tough trying to make a period
piece like that work but thankfully C. Courtney
Joyner wrote a great script and was on the set to
help me through it. Adolfo Bartoli is a fine
cinematographer too. He was crucial to the
success of that film.
Did you do
this film at a studio and was this your first
time ever directing a film at a studio?
We shot
at Universal Studios for 2 days and then on
location. We spent a week at Movie Tech Studios
shooting puppet insert shots.
Which scene
were you particularly proud of?
The
final death scene of Richard Lynch. It really
played well at the Paramount screening we had.
Did you ever
attend any Fangoria conventions due to your work
on this film as it really gave you alot of
publicity?
A few.
Mainly in NYC. I don't get invited to many
conventions anymore because I am always working
and can never attend.
You directed
the 'Brotherhood' films which was very different compared to the
previous work you have done. Were you wanting a
change with how you did things in the low
budget horror film industry?
There is
plenty of room in the horror genre for a unique
vision. I chose mine without any master plan. I
just wanted to make horror movies that I wanted
to see. It was a very organic process. So far
there seem to be enough people who like my movies
that I continue to make them.
I enjoyed
watching the first one as it almost seemed like a
tribute to those young adult horror novels by
R.L. Stine and Christopher Pike. My favourite
direction was with Samuel Page challenging the
cast members as bullies. What was that one like
doing?
This was one of
the rare examples where I knew the film would be
a hit while I was making it. There was a magic on
that set.
You made
Bradley Sryker very effective as the head
vampire. Were you proud of this scene as well
while shooting his part?
The scene
between Bradley Stryker, Sam Page and Cloee Cross
will go down as one of my most popular scenes.
I haven't seen
your film 'Sisterhood'
yet but is it based on the 'Brotherhood'
films? Please tell the viewers here on what the
story was about and the whol environment on
directing this one?
Very
similar to 'The Brotherhood' but a mainly female
cast. I shot it in the Caribbean and it had a
delicious cast. Michelle Borth was incredible! It
was cool working with Barbara Crampton.
Since
the holiday is coming up I wanted to discuss
'Killer Bash' since it takes
place close to that time. It almost reminded me
of a ghostly 'Carrie'
type of way. Was this the intention when you
worked on this film?
The
Executive Producer Steve Jarchow and I wanted to
make our own version of Dr. Jeckyl and Mr. Hyde.
A wonderful Canadian screenwriter named Barbara
Kymlicka wrote a terrific script. This was GLEE's
Cory Monteith's first movie.
I loved the
scene's between Paula Shaw and Rachel Riskin in a
counselling office. How did you make that scene
so effective?
Paula is a true
professional. She really made everybody she
worked with better. An electric personality. Love
her.
What was Paula
Shaw and Rachel Riskin like to work with?
Paula is
an old pro and Rachel was brand new. Both we're
great. This was the first 8 day wonder made in BC
so the cast and crew were a little nervous about
the speed in which I work. But it turned out
great.
What was your
favourite scene for this film?
The
frat initiation scene was a stunner. The guys
really got into it.
Do you think a
sequel will arise with this one since it was fun
to watch?
Gosh I
hope so! I really enjoyed making that movie.
What other
horror film projects do you have lined up?
Quite a few. Just
wrapped 'Puppetmaster Axis of Evil in China'.
'Son of a Witch' in LA. 'Body Blow' in the
Philippines, and tomorrow I will wrap 'HG WELLS'
THE FOOD OF THE GODS'. Its been busy!
I was
wondering why you sometimes credit yourself as
Ellen Cabot, Victoria Sloan, Julian Breen or
Joseph Teannat for yourself as a director in
films like 'Curse of the Puppet
Master', 'Retro
Puppet Master',
'Murder Weapon',
'Blonde Heaven' etc. etc....?
I was
hiding from the director's union. I was a DGA
member at the time. Not anymore.
Now here's
some fun stuff: What's your favourite horror
films?
Anything
by Hammer Films. Period.
If you were a
top horror film director whether he was alive or
dead who would he be?
James
Whale.
What film did
you do that you cherished the most?
'Leather
Jacket Love Story'.
Which film
were you not proud of through your whole career
as a director?
I'm proud
of them all. Its tough getting a movie made!
Was is your
idea of perfect happiness?
Retiring.
What are your
ambitions in life?
Perfect
happiness ;)
David thank
you so much for your time on this interview. |