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The Driller Killer (1979)

   
Directed & Edited by: Abel Ferrara

Written by: Nicholas St. John

Starring:


Carolyn Marz .... Carol
Abel Ferrara (Jimmy Laine) .... Reno Miller
Baybi Day .... Pamela
Harry Schultz .... Dalton Briggs
Alan Wynroth .... Landlord

Release Date: Supposed Theatrical: June 15, 1979; Night Visions Film Festival: October 28, 2001 (Finland); Iik!! Horror Film Festival: November 3, 2002 (Finland)

*Images appear courtesy at: www.devildead.com

Rating:

 

Reno Miller (Jimmy Laine) is a starving artist trying to pay his rent along with his roomates Carol (Carolyn Marz) and a strung out addict Pamela (Baybi Day) but they aren't succeeding plus they are getting a bunch of racket in another room as a local band rehearses their music for upcoming gigs.
But slowly demons starts to penetrate his sanity and turn up the amps of his blood red visions.
Slowly he starts to lose it and goes crazy by using a drill and killing local street bums and other people and no one knows who is causing this mess.

 

This film was a complete bore and it took forever to get to the horror in the film as it just seemed like a crazy and boring drama halfway through.
This is NOT like Slumber Party Massacre so don't even think of it. It's almost like one of those lame drive in movies. The film remains pretty much obscure too. Avoid it.

The actors were full of virtual unknown's and it does seem a little rough but mainly due to this film's low budget.
Jimmy Laine however contributed quite a bit to his role as a demented artist losing his mind to pay the rent as he shows true intensity.
Baybi Day
seemed believeable as a drug addict roomate that loves to party.
Alan Wynroth
is just passable as a flakey landlord.

There is a lesbian make out scene with two women taking a shower and their breasts are exposed.
There's a butt shot on Carolyn Marz after taking a shower wrapped in a towel.

People are being drilled with lots of blood splurting out
A woman's eye's are plucked out during a hallucination sequence.

The directing by Abel Ferrara is quite boring and uninspired but not all of it is terrible as he shows some memorable moments.
He shows a very cheesy beginning with himself as he credited himself as
Jimmy Laine in the film walking into a church and there are strange surroundings with him that involved Maria Helhoski as a Nun and James O'Hara as someone that talks to him strangely at the church.
He does direct an interesting scene with Laine and Baybi Day when he tries to drill a hole in her door and she's so strung out on drugs not deciding where the hole should be. It makes me think of watching a Warhol flick.
There's also a good scene when Laine gets angry that he smashes his phone out of his window building.
Laine
also looked good at going crazy with Carolyn Marz when she asks him when his painting is done and he nearly goes in a rage.
We see many annoying scene's with a band practising and a fair dialogue between Laine complaining to Alan Wynroth's character about the noise which could've used a bit more work.
A scene looks very effective when Laine starts menacingly chopping up a dead rabbit to cook for dinner.
There's another real intense dialogue between both Marz and Laine when she tells him about a killer that she read in the paper and he verbally attacks her causing her to cry which looked good.
He also looked good at looking nearly memancing coming into the room where both Marz and Day are sleeping together as if he was going to do them in next.
There are some interesting killing scene's performed by Laine but the most effective one's were when Laine bolts a street bum to some building walls and then does him in.
The other good one was when he is standing in his suite with a half cast shadow on him holding the drill and looking menacing and then pinning Harry Schultz's character in a corner and doing him in.
When Schultz's corpse is on a doorway and Day's character encounters the dead body she doesn't react to well to it.

The music was roughly composed by Joe Delia with a bad synthesizer but yet he does make it sound dark and interesting in certain parts of the film.